Jack Webb (1920-1982)

Alias:
John Randolph
John Randolph Webb

Birthplace:
Santa Monica, California, USA

Born:
April 2, 1920

Died:
December 23, 1982

John Randolph 'Jack' Webb, also known by the pen name John Randolph, was an American actor, television producer, director, and screenwriter, who is most famous for his role as Sergeant Joe Friday in the radio and television series Dragnet. He was also the founder of his own production company, Mark VII Limited.  Born in Santa Monica, California, Webb grew up in the Bunker Hill section of Los Angeles as the child of a single mother after his father left home before he was born.  During World War II, Webb enlisted in the United States Army Air Forces, but he "washed out" of flight training and was granted a hardship discharge to care for his family. Following his discharge, he moved to San Francisco, where a wartime shortage of announcers led to a temporary appointment to his own half-hour comedy radio show on ABC's KGO Radio in 1946. By 1949 he had abandoned comedy for drama, and starred in numerous radio shows until finding success in film and television in the late 1950s.  Webb had a featured role as a crime lab technician in the 1948 film He Walked by Night, a thinly-fictionalized recounting of the 1946 Walker crime spree. This experience gave Webb the idea for Dragnet: a recurring series based on real cases from LAPD police files, featuring authentic depictions of the modern police detective, including methods, mannerisms, and technical language. Following the success of Dragnet, Webb appeared in numerous television shows and specials, including the well-known 1972 series Emergency!  During his work on a revival of Dragnet in 1982, Webb suffered a heart attack and died at the age of 62. His funeral was given full police honors, and then LAPD Chief Daryl Gates retired the badge number 714 used by Webb's Joe Friday of Dragnet fame.  

Additional information:

The Search Form


Creator:
1951  Dragnet
1963  Temple Houston
1967  Dragnet
1968  Adam-12
1971  O'Hara, U.S. Treasury
1972  Emergency!
1973  Escape
1978  Project U.F.O.
1989  The New Dragnet
1990  The New Adam-12
2003  L.A. Dragnet
????  Sierra

Director:
1951  Dragnet
1962  General Electric True
1963  Temple Houston
1967  Dragnet
1968  Adam-12
1971  O'Hara, U.S. Treasury
1972  Emergency!
1973  Escape
1978  Project U.F.O.
1989  The New Dragnet
1990  The New Adam-12
2003  L.A. Dragnet
????  Sierra

Executive Producer:
1951  Dragnet
1962  General Electric True
1963  Temple Houston
1967  Dragnet
1968  Adam-12
1971  O'Hara, U.S. Treasury
1972  Emergency!
1973  Escape
1978  Project U.F.O.
1989  The New Dragnet
1990  The New Adam-12
2003  L.A. Dragnet
????  Sierra

Producer:
1951  Dragnet
1958  77 Sunset Strip
1959  Pete Kelly's Blues
1959  The D.A.'s Man
1962  General Electric True
1963  Temple Houston
1967  Dragnet
1968  Adam-12
1971  O'Hara, U.S. Treasury
1971  The D.A.
1972  Emergency!
1972  Hec Ramsey
1973  Chase
1973  Escape
1975  Mobile One
1978  Project U.F.O.
1978  Sam
1989  The New Dragnet
1990  The New Adam-12
2003  L.A. Dragnet
????  Sierra

Story:
1951  Dragnet
1952  The Ford Television Theatre
1958  77 Sunset Strip
1959  Pete Kelly's Blues
1959  The D.A.'s Man
1962  General Electric True
1963  Temple Houston
1967  Dragnet
1968  Adam-12
1971  O'Hara, U.S. Treasury
1971  The D.A.
1972  Emergency!
1972  Hec Ramsey
1973  Chase
1973  Escape
1975  Mobile One
1978  Project U.F.O.
1978  Sam
1989  The New Dragnet
1990  The New Adam-12
2003  L.A. Dragnet
????  Sierra

Writer:
1951  Dragnet
1952  The Ford Television Theatre
1958  77 Sunset Strip
1959  Pete Kelly's Blues
1959  The D.A.'s Man
1962  General Electric True
1963  Temple Houston
1967  Dragnet
1968  Adam-12
1971  O'Hara, U.S. Treasury
1971  The D.A.
1972  Emergency!
1972  Hec Ramsey
1973  Chase
1973  Escape
1975  Mobile One
1978  Project U.F.O.
1978  Sam
1989  The New Dragnet
1990  The New Adam-12
2003  L.A. Dragnet
????  Sierra

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.