A work in constant progress (and occasional regress).
Alias:
弗兰克·亨南洛特
Birthplace:
New York City, New York, USA
Born:
August 29, 1950
Frank Henenlotter, is an American screenwriter, director and film historian. He is known primarily for his horror comedies, though he would prefer to be classified as an "exploitation" filmmaker (rather than horror). "I never felt that I made ‘horror films’, he has said. "I always felt that I made exploitation films. Exploitation films have an attitude more than anything – an attitude that you don’t find with mainstream Hollywood productions. They’re a little ruder, a little raunchier, they deal with material people don’t usually touch on, whether it’s sex or drugs or rock and roll."
Characters:
2017 Belial's Dream
Cinematography:
1976 Slash of the Knife
2017 Belial's Dream
Director:
1976 Slash of the Knife
1982 Basket Case
1988 Brain Damage
1990 Basket Case 2
1990 Frankenhooker
1992 Basket Case 3: The Progeny
2008 Bad Biology
2010 Herschell Gordon Lewis: The Godfather of Gore
2013 That's Sexploitation!
2015 Chasing Banksy
2017 Belial's Dream
2018 Boiled Angels: The Trial of Mike Diana
???? Basket Case 3-1/2: An Interview With Duane Bradley
???? Son of Psycho
Editor:
1976 Slash of the Knife
1982 Basket Case
1988 Brain Damage
1990 Basket Case 2
1990 Frankenhooker
1992 Basket Case 3: The Progeny
2008 Bad Biology
2010 Herschell Gordon Lewis: The Godfather of Gore
2013 That's Sexploitation!
2015 Chasing Banksy
2017 Belial's Dream
2018 Boiled Angels: The Trial of Mike Diana
???? Basket Case 3-1/2: An Interview With Duane Bradley
???? Son of Psycho
Screenplay:
1976 Slash of the Knife
1982 Basket Case
1988 Brain Damage
1990 Basket Case 2
1990 Frankenhooker
1992 Basket Case 3: The Progeny
2008 Bad Biology
2010 Herschell Gordon Lewis: The Godfather of Gore
2013 That's Sexploitation!
2015 Chasing Banksy
2017 Belial's Dream
2018 Boiled Angels: The Trial of Mike Diana
???? Basket Case 3-1/2: An Interview With Duane Bradley
???? Son of Psycho
Thanks:
1976 Slash of the Knife
1982 Basket Case
1988 Brain Damage
1990 Basket Case 2
1990 Frankenhooker
1992 Basket Case 3: The Progeny
2004 Skinned Deep
2008 Bad Biology
2010 Herschell Gordon Lewis: The Godfather of Gore
2013 That's Sexploitation!
2015 Chasing Banksy
2017 Belial's Dream
2018 Boiled Angels: The Trial of Mike Diana
???? Basket Case 3-1/2: An Interview With Duane Bradley
???? Son of Psycho
Writer:
1976 Slash of the Knife
1982 Basket Case
1988 Brain Damage
1990 Basket Case 2
1990 Frankenhooker
1992 Basket Case 3: The Progeny
2004 Skinned Deep
2008 Bad Biology
2010 Herschell Gordon Lewis: The Godfather of Gore
2013 That's Sexploitation!
2015 Chasing Banksy
2017 Belial's Dream
2018 Boiled Angels: The Trial of Mike Diana
???? Basket Case 3-1/2: An Interview With Duane Bradley
???? Son of Psycho
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.