A work in constant progress (and occasional regress).
Birthplace:
San Francisco, California, U.S.
Born:
December 1, 1937
Died:
December 10, 2017
Bruce Brown (born December 1, 1937 - December 10, 2017) was an American documentary film director, known as an early pioneer of the surf film. He is the father of filmmaker Dana Brown. His surfing films are Slippery When Wet (1958), Surf Crazy (1959), Barefoot Adventure (1960), Surfing Hollow Days (1961), Waterlogged (1962), and his most well known film, The Endless Summer (1964) which received a nationwide theatrical release in 1966. Considered among the most influential in the genre, The Endless Summer follows surfers Mike Hynson and Robert August around the world. Thirty years later Brown would film The Endless Summer II with his son in 1994. He also made a number of short films including The Wet Set, featuring the Hobie-MacGregor Sportswear Surf Team and one of the earliest skateboarding films, America's Newest Sport, presenting the Hobie Super Surfer Skateboard Team. These short films along with some unused footage from The Endless Summer were included in the DVD Surfin' Shorts, as part of the Golden Years of Surf collection. Brown has gone beyond surfing a few times with the ski film, The Incredible Pair of Skis (1967), a film about motorcycle sport, On Any Sunday (1971) which is held in high regard as one of the best motorcycle documentaries of all time, and a documentary about extreme sports, The Edge (1975), On Any Sunday II (1981) Baja 1000 Classic (1991), and On Any Sunday, revisited (2000) He made a guest appearance in the SpongeBob SquarePants episode SpongeBob vs. The Big One. Brown was a 2009 inductee into the Surfers' Hall of Fame in Huntington Beach, California.
Author:
1966 The Endless Summer
Director:
1958 Slippery When Wet
1959 Surf Crazy
1960 Barefoot Adventure
1961 Search for Surf
1961 Surfing Hollow Days
1962 Water-Logged
1964 Surfin' Shorts
1966 America's Newest Sport
1966 The Endless Summer
1971 On Any Sunday
1994 The Endless Summer II
Director of Photography:
1958 Slippery When Wet
1959 Surf Crazy
1960 Barefoot Adventure
1961 Search for Surf
1961 Surfing Hollow Days
1962 Water-Logged
1964 Surfin' Shorts
1966 America's Newest Sport
1966 The Endless Summer
1971 On Any Sunday
1994 The Endless Summer II
Editor:
1958 Slippery When Wet
1959 Surf Crazy
1960 Barefoot Adventure
1961 Search for Surf
1961 Surfing Hollow Days
1962 Water-Logged
1964 Surfin' Shorts
1966 America's Newest Sport
1966 The Endless Summer
1971 On Any Sunday
1994 The Endless Summer II
Executive Producer:
1958 Slippery When Wet
1959 Surf Crazy
1960 Barefoot Adventure
1961 Search for Surf
1961 Surfing Hollow Days
1962 Water-Logged
1964 Surfin' Shorts
1966 America's Newest Sport
1966 The Endless Summer
1971 On Any Sunday
1994 The Endless Summer II
2000 The Endless Summer Revisited
2014 On Any Sunday: The Next Chapter
Producer:
1958 Slippery When Wet
1959 Surf Crazy
1960 Barefoot Adventure
1961 Search for Surf
1961 Surfing Hollow Days
1962 Water-Logged
1964 Surfin' Shorts
1966 America's Newest Sport
1966 The Endless Summer
1971 On Any Sunday
1994 The Endless Summer II
2000 The Endless Summer Revisited
2014 On Any Sunday: The Next Chapter
Writer:
1958 Slippery When Wet
1959 Surf Crazy
1960 Barefoot Adventure
1961 Search for Surf
1961 Surfing Hollow Days
1962 Water-Logged
1964 Surfin' Shorts
1966 America's Newest Sport
1966 The Endless Summer
1971 On Any Sunday
1994 The Endless Summer II
2000 The Endless Summer Revisited
2011 Lizard Boy
2014 On Any Sunday: The Next Chapter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.