A work in constant progress (and occasional regress).
Alias:
Sara Edwards
Birthplace:
Glyn Ceiriog, Denbighshire, Wales
Born:
October 9, 1881
Died:
January 7, 1965
From Wikipedia, the free encyclopedia Sarah Edwards (October 11, 1881 – January 7, 1965) was a Welsh-born American film and stage actress. She often played dowagers or spinsters in numerous Hollywood movies of the 1930s and 1940s, mostly in minor roles. Edwards started her acting career as a stage actress, she was described in 1916 by a newspaper article as a leading actress "very popular with West End theatre-goers".[1] She eventually settled in the United States and appeared in six Broadway plays between 1919 and 1931, primarily in comedies like The Merry Malones by George M. Cohan. Among her first movies was the New York-filmed 1929 musical Glorifying the American Girl (1929), where she portrayed the mercenary mother of leading actress Mary Eaton. She came to Hollywood in the mid-1930s where she appeared in about 190 films until her retirement 1951, mostly in uncredited, small character roles. Sarah Edwards died in Hollywood in 1965, aged 83. Edwards seemed older than she was and often portrayed a "kindly grandmother, imperious dowager, hardy pioneer wife, ill-tempered teacher and strict governess". She remains perhaps best-known to modern audiences as the imperious mother of Mary Hatch (Donna Reed) in Frank Capra's film classic It's a Wonderful Life (1946) who tries to keep her daughter away from George Bailey. Edwards also played a customer in Ernst Lubitsch's The Shop Around the Corner (1940) with James Stewart. She also appeared in another Christmas classic, The Bishop's Wife (1947) with Cary Grant, and as the wife of a doctor on the train in Hitchcock's thriller Shadow of a Doubt (1943). Edwards sometimes also portrayed more substantial roles, for instance in the Charlie Chan movie Charlie Chan in the Secret Service (1944).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.