A work in constant progress (and occasional regress).
From Wikipedia, the free encyclopedia. Menachem Daum is a Holocaust survivor and a documentary film-maker. Born in displaced persons camp in Germany, to refugees from Poland. Being Jewish, many of his relatives perished in Nazi Germany's genocide. Professionally a gerontologist, he is based today in Borough Park, Brooklyn, New York. He has created two documentary films, A Life Apart: Hasidism in America, (1997) on Hasidim in Brooklyn, and Hiding and Seeking, (2003) a film on Polish gentiles that sheltered Jews during World War II. Through his efforts, he secured the Yad Vashem award for the family that sheltered his wife's family. He partnered on the films with Oren Rudavsky. As of 2008, he was working on a film, Common Ground, which will address the work of non-Jews in working to maintain Jewish cemeteries in Poland. His 2004 film, Hiding and Seeking, began as a search to reconnect with the Poles that sheltered his family. The Jewish Week wrote of Daum's work on this film, "The film speaks more deeply to how religious intolerance is insidious no matter who is practicing it, and upbraids Holocaust survivors who broke all ties with their rescuers, despite wartime promises to stay in touch forever. "'I believe in the importance of self-criticism for all communities, Jewish, non-Jewish Islamic, Christian,' says Daum. 'We do ourselves a disservice when we can see faults in others but not see our own shortcomings". Description above from the Wikipedia article Menachem Daum, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1998 A Life Apart: Hasidism in America
2004 Hiding and Seeking
2016 The Ruins of Lifta
Writer:
1998 A Life Apart: Hasidism in America
2004 Hiding and Seeking
2016 The Ruins of Lifta
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.