A work in constant progress (and occasional regress).
Alias:
Hobart Cavanagh
Birthplace:
Virginia City, Nevada, USA
Born:
September 21, 1886
Died:
April 27, 1950
From Wikipedia, the free encyclopedia Hobart Cavanaugh (September 22, 1886 – April 26, 1950) was an American character actor in films and on stage. He was born in Virginia City, Nevada on September 22, 1886. Cavanaugh attended the University of California. He worked in vaudeville, teaming with Walter Catlett at some point. He appeared in numerous Broadway productions, including the original 1919 musical Irene and the long-running 1948 musical As the Girls Go. He made his film debut in San Francisco Nights (1928). Over the next few years he established himself as a supporting actor, and although many of his roles were small and received no film credit, he played more substantial roles in films such as I Cover the Waterfront (1933) and Mary Stevens, M.D. (1933). By the mid-1930s, he was appearing in more prestigious productions, such as A Midsummer Night's Dream (1935), Captain Blood (1935), Wife vs. Secretary (1936) and A Letter to Three Wives (1949). He continued playing small, often comical roles until the end of his life, mostly as downtrodden or henpecked little men. His last performance was in Stella (1950); he knew he did not have long to live and collapsed twice on set, but was determined to see it through. By the end of his life, he had appeared in more than 180 films. He died following an operation at the Motion Picture & Television Country House and Hospital in Woodland Hills, California. He was survived by his wife Florence and a daughter.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.