A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Born:
May 5, 1975
Daniel Rezende is a Brazilian Academy Award nominated film editor, known for "City of God" (2002), "The Tree of Life" (2011) and "RoboCop" (2014). In 2017, he directed his debut film "Bingo: The King of The Mornings". In 2019 he released 'Turma da Mônica - Laços' based on the beloved brazilian comic-book.
Director:
2008 Blackout
2017 Bingo: The King of the Mornings
2019 Monica and Friends: Bonds
2021 Monica and Friends: Lessons
???? O Filho de Mil Homens
Editor:
2002 City of God
2003 The Storytellers
2004 The Motorcycle Diaries
2005 Dark Water
2007 City of Men
2007 Elite Squad
2008 Blackout
2008 Blindness
2010 Elite Squad: The Enemy Within
2010 The Best Things in the World
2011 The Story of Artigas
2011 The Tree of Life
2012 Céu Inferior
2012 Invisible World
2014 RoboCop
2017 Bingo: The King of the Mornings
2018 7 Days in Entebbe
2019 Monica and Friends: Bonds
2021 Monica and Friends: Lessons
???? O Filho de Mil Homens
Producer:
2002 City of God
2003 The Storytellers
2004 The Motorcycle Diaries
2005 Dark Water
2007 City of Men
2007 Elite Squad
2008 Blackout
2008 Blindness
2010 Elite Squad: The Enemy Within
2010 The Best Things in the World
2011 The Story of Artigas
2011 The Tree of Life
2012 Céu Inferior
2012 Invisible World
2014 RoboCop
2017 Bingo: The King of the Mornings
2018 7 Days in Entebbe
2019 Monica and Friends: Bonds
2021 Monica and Friends: Lessons
2025 Chuck Billy and The Marvelous Guava Tree
???? O Filho de Mil Homens
Writer:
2002 City of God
2003 The Storytellers
2004 The Motorcycle Diaries
2005 Dark Water
2007 City of Men
2007 Elite Squad
2008 Blackout
2008 Blindness
2010 Elite Squad: The Enemy Within
2010 The Best Things in the World
2011 The Story of Artigas
2011 The Tree of Life
2012 Céu Inferior
2012 Invisible World
2014 RoboCop
2017 Bingo: The King of the Mornings
2018 7 Days in Entebbe
2019 Monica and Friends: Bonds
2021 Monica and Friends: Lessons
2025 Chuck Billy and The Marvelous Guava Tree
???? O Filho de Mil Homens
Creator:
2019 Nobody's Looking
2022 Mônica and Friends
2024 Mônica and Friends: Origins
Director:
2012 Crossing the Line
2017 The Man of Your Life
2018 The Mechanism
2019 Nobody's Looking
2022 Mônica and Friends
2024 Mônica and Friends: Origins
Executive Producer:
2012 Crossing the Line
2017 The Man of Your Life
2018 The Mechanism
2019 Nobody's Looking
2022 Mônica and Friends
2024 Mônica and Friends: Origins
Producer:
2012 Crossing the Line
2017 The Man of Your Life
2018 The Mechanism
2019 Nobody's Looking
2022 Mônica and Friends
2024 Franjinha e Milena em Busca da Ciência
2024 Mônica and Friends: Origins
Supervising Art Director:
2012 Crossing the Line
2017 The Man of Your Life
2018 The Mechanism
2019 Nobody's Looking
2022 Mônica and Friends
2024 Franjinha e Milena em Busca da Ciência
2024 Mônica and Friends: Origins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.