A work in constant progress (and occasional regress).
Alias:
Suzanne Carnahan
Birthplace:
Spokane, Washington, USA
Born:
July 3, 1921
Died:
October 23, 1952
From Wikipedia, the free encyclopedia Susan Peters (born Suzanne Carnahan; July 3, 1921 – October 23, 1952) was an American film, stage, and television actress who appeared in over twenty films over the course of her decade-long career. In 1942, the year she signed a contract with Metro-Goldwyn-Mayer (MGM), Peters had a featured role in the Mervyn LeRoy-directed drama Random Harvest. That role earned her an Academy Award nomination for Best Supporting Actress and established her as a serious dramatic performer. Peters went on to appear as the lead in numerous films for MGM, including roles in the romantic comedy Young Ideas (1943), and several war films: Assignment in Brittany (1943), Song of Russia (1944), and Keep Your Powder Dry (1945). On New Year's Day 1945, Peters's spinal cord was damaged from an accidental gunshot wound, leaving her permanently paraplegic. She returned to film portraying a wheelchair-bound villain in The Sign of the Ram (1948). Peters then transitioned to theater, appearing as Laura Wingfield in a critically acclaimed 1949 production of Tennessee Williams's The Glass Menagerie. She followed this with a production of The Barretts of Wimpole Street, in which she portrayed crippled poet Elizabeth Barrett Browning. By 1952, however, Peters had been suffering from clinical depression for several years due to the dissolution of her marriage and her limited career options. In late 1952 she began starving herself, which combined with her paralysis led to chronic kidney infections and pneumonia. She died of ensuing health complications that year at age 31.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.