A work in constant progress (and occasional regress).
Alias:
Henry Abebonojo
Henry Adebonojo is a New York City based cinematographer and photographer with a 25-year background in creating images and films. His work spans a variety of genres and pursuits - documentary films, promos and commercials, music videos, and various other television projects. These include the Academy Award nominated documentary "I Am Not Your Negro" and the Emmy nominated "Half Past Autumn" for Magnolia Pictures and HBO respectively.
Additional Photography:
1999 Paul Robeson: Here I Stand
Assistant Camera:
1993 Shirley Temple: America's Little Darling
1999 Paul Robeson: Here I Stand
Camera Operator:
1993 Shirley Temple: America's Little Darling
1999 Paul Robeson: Here I Stand
2015 Da Sweet Blood of Jesus
Cinematography:
1993 Shirley Temple: America's Little Darling
1999 Paul Robeson: Here I Stand
2015 Da Sweet Blood of Jesus
2022 Lowndes County and the Road to Black Power
2023 South to Black Power
Director of Photography:
1993 Shirley Temple: America's Little Darling
1999 Paul Robeson: Here I Stand
2000 Half Past Autumn: The Life and Works of Gordon Parks
2005 Symbiopsychotaxiplasm: Take 2½
2007 Mr. Untouchable
2009 Celebrity Habla
2013 Habla Women
2014 Habla Men
2015 Da Sweet Blood of Jesus
2015 In a Perfect World
2016 Habla y vota
2017 I Am Not Your Negro
2017 Maynard
2019 Miles Davis: Birth of the Cool
2021 Black Art: In the Absence of Light
2022 Lowndes County and the Road to Black Power
2022 Marian Anderson: The Whole World in Her Hands
2023 South to Black Power
2023 The League
???? On Hallowed Ground: Streetball Champions of Rucker Park
Additional Camera:
2021 Exterminate All the Brutes
Director of Photography:
2021 Exterminate All the Brutes
2023 Bill Russell: Legend
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.