A work in constant progress (and occasional regress).
Additional Camera:
2022 The Thief Collector
2024 An American Bombing: The Road to April 19th
Additional Photography:
1997 Cadillac Desert: Water and the Transformation of Nature
2008 American Teen
2008 Boogie Man: The Lee Atwater Story
2022 The Thief Collector
2024 An American Bombing: The Road to April 19th
Camera Operator:
1993 The Great Depression: A Job at Ford's
1997 Cadillac Desert: Water and the Transformation of Nature
2008 American Teen
2008 Boogie Man: The Lee Atwater Story
2019 George Stevens Jr. On 'Swing Time'
2022 The Thief Collector
2024 An American Bombing: The Road to April 19th
Cinematography:
1993 The Great Depression: A Job at Ford's
1997 Cadillac Desert: Water and the Transformation of Nature
2006 Sound and Fury 6 Years Later
2008 American Teen
2008 Boogie Man: The Lee Atwater Story
2015 Okinawa: The Afterburn
2019 George Stevens Jr. On 'Swing Time'
2022 The Thief Collector
2024 Admissions Granted
2024 An American Bombing: The Road to April 19th
2025 Bodyguard of Lies
Director of Photography:
1993 The Great Depression: A Job at Ford's
1997 Cadillac Desert: Water and the Transformation of Nature
2003 Let the Church Say, Amen
2005 Why We Fight
2006 Bullrider
2006 Sound and Fury 6 Years Later
2008 American Teen
2008 Boogie Man: The Lee Atwater Story
2009 William Kunstler: Disturbing the Universe
2015 Okinawa: The Afterburn
2016 Zero Days
2017 Get Me Roger Stone
2019 George Stevens Jr. On 'Swing Time'
2022 The Thief Collector
2024 Admissions Granted
2024 An American Bombing: The Road to April 19th
2024 Super/Man: The Christopher Reeve Story
2025 Bodyguard of Lies
Additional Director of Photography:
1985 Explorer
Additional Photography:
1985 Explorer
2011 Nightmare Next Door
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.