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Konstantin Murzenko (b. 1969)

Alias:
Konstantin Vladislavovich Murzenko
Константин Владиславович Мурзенко
Константин Мурзенко

Birthplace:
Leningrad, Russia

Born:
November 26, 1969

Biography from TheMovieDB

Konstantin Vladislavovich Murzenko (born November 26, 1969, Leningrad) is a Russian film director, screenwriter and actor.  He studied at the medical school, at the Faculty of Journalism of St. Petersburg State University. Worked as a paramedic at the ambulance station, assistant to the director on the LSDF, editor, director and DJ on the radio, a television journalist, wrote articles about cinema in newspapers and magazines.  In his scripts films "Hard Time" (1997), "Mama, Do not Grieve" (1997), "The body will be buried, and the senior midshipman will sing" (1998). The author of the plot of the film "Ghoul" (1997). As an actor gained popularity after a small role as Fascist in the movie "Brother 2" (2000). In 2001, he made his debut as a director, making his own screenplay for the film "April".  From Wikipedia, the free encyclopedia

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Additional information:

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Film Performances

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Film Production

Co-Writer:
2010  The Golden Mean

Director:
2002  April
2010  The Golden Mean

Producer:
2002  April
2008  Red Pearls of Love
2010  The Golden Mean

Screenplay:
1996  Tough Time
1997  Don't Cry Mommy
2002  April
2003  Black Ice
2008  Red Pearls of Love
2010  The Golden Mean
2023  Waves

Writer:
1996  Tough Time
1997  Don't Cry Mommy
1997  Ghoul
1998  Marcephalus
1998  The Body Will Be Committed to the Ground, And the Senior Warrant Officer Will Sing
2002  April
2003  Black Ice
2003  Hamster Day
2003  No Matter How
2005  Don't Cry Mommy 2
2006  Junk
2008  Red Pearls of Love
2009  Antikiller D.K
2010  The Golden Mean
2014  Gena-Concrete
2023  Waves

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TV Performances

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TV Production

Creator:
2011  Сплит

Director:
2008  9th May. Personal Attitude
2011  Сплит

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.