A work in constant progress (and occasional regress).
Birthplace:
Lake Bluff, Illinois, USA
Born:
June 24, 1910
Died:
March 25, 1983
From Wikipedia, the free encyclopedia Martha Sleeper (June 24, 1910 – March 25, 1983) was a film actress of the 1920s–1930s and, later, a Broadway stage actress. She studied dancing for five years with Russian ballet master, Louis H. Chalif, at his New York dancing studio. Her first public exhibitions were at Carnegie Hall at his class exhibitions. Sleeper's film career began in 1923 and continued until 1945. Her first screen appearance, at the age of 13, was in The Mailman (1923), an independent production. After appearing in several kiddie comedies at the Christie studio she was signed by the Hal Roach studio for the Our Gang" series but she quickly outgrew that role. From 1925-27 she appeared in comedies playing opposite the studio's most popular male stars. She left the Roach studio in late 1927 and moved to the FBO studio where she starred in six silent features during 1928–29. With the coming of sound she was signed by MGM and placed in their training program. From 1930 to 1936 she played supporting roles in many melodramas her role typically that of a well-bred somewhat snobbish society woman who ends up losing her man to the film's leading lady. Frustrated by the types of roles she was being offered, Martha began playing onstage in and about Los Angeles, at one point drawing raves as Eliza Doolittle in a performance of Pygmalion in 1932. After appearing in some low budget melodramas for the poverty row Monogram studio Martha and her husband, actor Hardie Albright, left Hollywood for New York in 1936 where Martha began a long run in both on- and off-Broadway plays. In 1945, as a favor to director Leo McCarey, Martha played the role of Patsy's mother in The Bells of St. Mary's. It was her last screen role.
Costume Supervisor:
1964 Sex and the College Girl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.