A work in constant progress (and occasional regress).
Birthplace:
Saint-Félicien, Québec, Canada
Born:
February 24, 1949
Throughout his long career in his native Canada, Gaston Lepage consistently delivered commendable performances on both the big and small screens. Born on Feb. 24, 1949 in Québec, Canada, Lepage began acting on various comedy serials like "Les as" (Radio-Canada, 1977-78), "Les brilliant" (Télémétropole, 1980), and the New Year's countdown and sketch comedy special "Bye-Bye" (Radio-Canada, 1968-2011). In 1980, Lepage co-starred in the critically acclaimed drama "Cordelia," followed by a string of TV and film roles, including a lead part in "Gaspard et fil$" (1988), as a 40-year-old librarian who reevaluates his relationship with his ailing, grumpy father after he learns the latter won the lottery. By this time, Lepage had established himself a versatile actor who excelled in both comedic and serious roles in films like "Jesus of Montreal" (1989), "King of the Airways" (1994), and "Joyeux Calvaire" (1996). Aside from acting, he was also an experienced helicopter pilot and founder of "Productions Inc. Tuxedo," which produced many popular soap operas and weekly programs in Canada. He continued to take on an impressive list of projects, including a featured role in Denys Arcand's Academy Award-winning film "The Barbarian Invasions" (2003), the long-awaited sequel to "The Decline of the American Empire" (1986), and recurring parts on the comedies "Caméra café" (TVA Films, 2002) and "Les Bougon: C'est aussi ça la vie" (CBC, 2004-06). In 2010, Lepage appeared on the historical drama "Musée Eden" (Radio-Canada) and in the feature comedy "Cabotins."
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.