A work in constant progress (and occasional regress).
Alias:
Эвис Баннедж
Birthplace:
Manchester, England, UK
Born:
April 22, 1923
Died:
October 4, 1990
From Wikipedia, the free encyclopedia. Avis Bunnage (22 April 1923, Manchester, England, UK – 4 October 1990, England) was a British actress of film, stage and television. She attended Manley Park Municipal School and Chorlton Central School in Manchester. She worked as a secretary and a nursery teacher before deciding to become an actress. She gained stage experience in rep and made her first professional appearance at Chorlton Rep Theatre in Manchester in 1947. Most notably, she appeared as Veronica, the wife of Rigsby, in Rising Damp, for one episode. Bunnage was a member of Joan Littlewood's Theatre Workshop company at the Theatre Royal Stratford East. There she created the role of Helen, the mother in A Taste of Honey, her first West End role when the play transferred to Wynndems Theatre, and also a role in Oh, What a Lovely War! at Stratford East, which also transferred to Wyndams Theatre. When Avis was on holiday from this production for two weeks, her role was taken over by Danny La Rue. Among her other roles for Theatre Workshop were Mrs. Lovitt in Christopher Bond's play Sweeny Todd (the basis for the Sondheim musical), and the title role in a play about the music hall legend Marie Lloyd. In the early years of Coronation Street she played Lucile Hewitt's auntie. She was in the musical Billy at the Theatre Royal Drury Lane, playing the mother of 'Billy Liar'. She played Golda in Fiddler on the Roof, opposite Alfie Bass, at Her Majesty's Theatre in London. Married to Derek Orchard, she died in Thorpe Bay, Southend-on-Sea, Essex, aged 67. Description above from the Wikipedia article Avis Bunnage, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.