A work in constant progress (and occasional regress).
Alias:
Roger Ashley Mason
Roger Ashley Mason is an Australian keyboardist who has been a member of new wave groups Models, Absent Friends, and Icehouse. He was a session and backing musician for the United Kingdom's Gary Numan and for various Australian artists. From the early 1990s, he has composed music for television and feature films. He appeared on Models best-performing album, Out of Mind, Out of Sight (1985), which reached No. 3 on the Australian Kent Music Report Albums Chart and provided a No. 2 hit, "Barbados," and a No. 1 hit, "Out of Mind, Out of Sight." On 27 October 2010, Models were inducted into the ARIA Hall of Fame by former member Wendy Matthews. As a composer, Mason has won 12 Australasian Performing Right Association (APRA) Awards for his TV and film work: MDA (presented in 2003), The Extra (2005), Peking to Paris (2006), The Last Confession of Alexander Pearce (2009), My Place (2010), The Outlaw Michael Howe (2014), The Code (2015), The Principal (2016), and Hungry Ghosts (2021). Description above from the Wikipedia article Roger Mason, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Boom Operator:
2011 Man & Gun
Main Title Theme Composer:
1980 Death Watch
2011 Man & Gun
Music:
1980 Death Watch
1991 Aya
1993 CrimeBroker
1994 The Seventh Floor
1998 Dead Letter Office
2009 The Last Confession of Alexander Pearce
2011 Man & Gun
Original Music Composer:
1980 Death Watch
1991 Aya
1993 CrimeBroker
1994 The Seventh Floor
1997 Joey
1998 Dead Letter Office
1999 Airtight
2001 When Strangers Appear
2002 Horses: The Story of Equus
2005 Man-Thing
2007 Razzle Dazzle: A Journey into Dance
2007 September
2009 Fortune
2009 The Last Confession of Alexander Pearce
2011 Man & Gun
Music:
2014 Borderland
2015 Deadline Gallipoli
2015 Hitting Home
Original Music Composer:
2014 Borderland
2015 Deadline Gallipoli
2015 Hitting Home
2015 The Principal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.