A work in constant progress (and occasional regress).
Birthplace:
Ireland
Conor attended Dun Laoghaire National Film School between 1998 – 2001, where he specialized in directing and editing. He’s made numerous short films, music video’s and documentaries. He edited a 50-minute feature length documentary, Ma Filia Fa La Madonna. Furthermore,Conor directed and edited How to Make a Fresh Film, a 20-minute documentary, funded by the Arts Council for Secondary Schools. In 2004 Conor wrote, directed and edited his first feature film Dead Meat. The film was funded by the Irish Film Board and was the first horror film to be so. Since then, he has gone on to make Stitches (2012), From the Dark (2014) and most recently Let the Wrong One In (2021). He works predominantly as an editor.
Director:
2001 1902
2001 The Braineater
2004 Dead Meat
2008 Dublin 26.06.08: A Film in 4 Days
2009 Hotel Darklight
2009 The Disturbed
2012 Stitches
2014 From the Dark
2015 Strangers in the Night
2016 Good Dog
2018 Ghost Gaff
2021 Let the Wrong One In
Editor:
2001 1902
2001 The Braineater
2004 Dead Meat
2004 Shaving the Baby
2005 The Unusual Inventions of Henry Cavendish
2007 The Blaxorcist
2008 Dublin 26.06.08: A Film in 4 Days
2009 Hotel Darklight
2009 The Disturbed
2012 Stitches
2014 From the Dark
2015 Strangers in the Night
2016 Good Dog
2016 Spooky Stakeout
2018 Ghost Gaff
2021 Let the Wrong One In
Producer:
2001 1902
2001 The Braineater
2004 Dead Meat
2004 Shaving the Baby
2005 The Unusual Inventions of Henry Cavendish
2007 The Blaxorcist
2008 Dublin 26.06.08: A Film in 4 Days
2009 Hotel Darklight
2009 The Disturbed
2012 Stitches
2014 From the Dark
2015 Strangers in the Night
2016 Good Dog
2016 Spooky Stakeout
2018 Ghost Gaff
2021 Let the Wrong One In
Screenplay:
2001 1902
2001 The Braineater
2004 Dead Meat
2004 Shaving the Baby
2005 The Unusual Inventions of Henry Cavendish
2007 The Blaxorcist
2008 Dublin 26.06.08: A Film in 4 Days
2009 Hotel Darklight
2009 The Disturbed
2012 Stitches
2014 From the Dark
2015 Strangers in the Night
2016 Good Dog
2016 Spooky Stakeout
2018 Ghost Gaff
2021 Let the Wrong One In
Story:
2001 1902
2001 The Braineater
2004 Dead Meat
2004 Shaving the Baby
2005 The Unusual Inventions of Henry Cavendish
2007 The Blaxorcist
2008 Dublin 26.06.08: A Film in 4 Days
2009 Hotel Darklight
2009 The Disturbed
2012 Stitches
2014 From the Dark
2015 Strangers in the Night
2016 Good Dog
2016 Spooky Stakeout
2018 Ghost Gaff
2021 Let the Wrong One In
Writer:
2001 1902
2001 The Braineater
2004 Dead Meat
2004 Shaving the Baby
2005 The Unusual Inventions of Henry Cavendish
2007 The Blaxorcist
2008 Dublin 26.06.08: A Film in 4 Days
2009 Hotel Darklight
2009 The Disturbed
2012 Stitches
2014 From the Dark
2015 Strangers in the Night
2016 Good Dog
2016 Spooky Stakeout
2018 Ghost Gaff
2021 Let the Wrong One In
Writer:
2019 Darklands
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.