A work in constant progress (and occasional regress).
From Wikipedia, the free encyclopedia Tim McCanlies (born 1953) is a film director and screenwriter. He has attracted attention for his work writing and directing Secondhand Lions, and wrote the screenplays for The Iron Giant and Dennis the Menace Strikes Again. McCanlies attended high school in Bryan, Texas and took some college level courses at nearby Texas A&M University. In 1971, he moved to Austin and enrolled at the University of Texas majoring in Radio-Television-Film. After a couple of years, McCanlies transferred back to Texas A & M. In 1975, he moved to Dallas where he worked as a police officer and took graduate film classes at Southern Methodist University. McCanlies worked for Walt Disney Studios in the 1980s and wrote for all the major motion picture studios at one time or another. McCanlies made his directorial debut in his own independently produced feature Dancer, Texas Pop. 81 (1998). Description above from the Wikipedia article Tim McCanlies, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Associate Producer:
1983 Scalps
Director:
1983 Scalps
1998 Dancer, Texas Pop. 81
2003 Secondhand Lions
2009 Alabama Moon
2009 The 2 Bobs
2013 Angels Sing
Producer:
1983 Scalps
1998 Dancer, Texas Pop. 81
1998 Dennis the Menace Strikes Again!
2003 Secondhand Lions
2009 Alabama Moon
2009 The 2 Bobs
2013 Angels Sing
Screenplay:
1983 Scalps
1987 North Shore
1998 Dancer, Texas Pop. 81
1998 Dennis the Menace Strikes Again!
1999 The Iron Giant
2003 Secondhand Lions
2009 Alabama Moon
2009 The 2 Bobs
2013 Angels Sing
Writer:
1983 Scalps
1987 North Shore
1998 Dancer, Texas Pop. 81
1998 Dennis the Menace Strikes Again!
1999 The Iron Giant
2003 Secondhand Lions
2009 Alabama Moon
2009 The 2 Bobs
2013 Angels Sing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.