A work in constant progress (and occasional regress).
Alias:
Гари Хаствит
Гари Хастуит
From Wikipedia, the free encyclopedia. Gary Hustwit is an independent filmmaker based in New York and London. He has produced and directed a number of documentaries including the 2007 film Helvetica. Description above from the Wikipedia article [****] , licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
2007 Helvetica
2009 Objectified
2011 Urbanized
2012 Focus Forward: Short Films, Big Ideas
2012 The Landfill
2016 Workplace
2017 This Is What The Future Looked Like
2018 Rams
2019 Jubilee
2020 The Map
2024 Eno
2024 Nothing Can Ever Be the Same
Director of Photography:
2007 Helvetica
2009 Objectified
2011 Urbanized
2012 Focus Forward: Short Films, Big Ideas
2012 The Landfill
2016 Workplace
2017 This Is What The Future Looked Like
2018 Rams
2019 Jubilee
2020 The Map
2024 Eno
2024 Nothing Can Ever Be the Same
Executive Producer:
2002 I Am Trying to Break Your Heart: A Film About Wilco
2003 Ted Leo & the Pharmacists: Dirty Old Town
2004 Moog
2005 Spend an Evening with Saddle Creek
2007 Helvetica
2009 Objectified
2011 Urbanized
2012 Focus Forward: Short Films, Big Ideas
2012 The Landfill
2015 Mavis!
2016 Workplace
2017 This Is What The Future Looked Like
2018 Design Canada
2018 Rams
2019 Jubilee
2020 The Map
2022 Skate Dreams
2024 Eno
2024 Nothing Can Ever Be the Same
Producer:
2002 I Am Trying to Break Your Heart: A Film About Wilco
2003 Ted Leo & the Pharmacists: Dirty Old Town
2004 Moog
2005 Drive Well, Sleep Carefully
2005 Spend an Evening with Saddle Creek
2007 Helvetica
2009 Objectified
2010 ODDSAC
2011 Urbanized
2012 Focus Forward: Short Films, Big Ideas
2012 The Landfill
2015 Mavis!
2016 Workplace
2017 This Is What The Future Looked Like
2018 Design Canada
2018 Rams
2019 Jubilee
2020 The Map
2022 Skate Dreams
2024 Eno
2024 Nothing Can Ever Be the Same
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.