A work in constant progress (and occasional regress).
Birthplace:
Flekkefjord, Norway
Born:
October 23, 1971
John Andreas started out making short films on Super8, going on to win a national film-competition when 15 years old. That propelled him into following his passion for films and visual storytelling. Before attending film school, John Andreas worked his way up in the camera-department, including working as assistant camera for 2 times Oscar-winning Swedish cinematographer-legend; Sven Nykvist, ASC. With Sven's recommendation-letter he got into the MFA program at American Film Institute (AFI), graduating in 1998. Continuing his work as Director of Photography on many award winning features, including «Headhunters» (Morten Tyldum, 2011) and «King of Devil's Island» (Marius Holst, 2010) - John Andreas eventually transitioned to the directors chair. After first shooting the first episodes, then directing the season finale of Netflix-success «Occupied» (2015), his feature film directing debut came with «The Quake» (2018).
Camera Operator:
1994 Applause
Cinematography:
1994 Applause
2000 Fort forover
2003 Save the Children
2014 Behind The Scenes - Captain Sabertooth and the Treasure of Lama Rama
???? Spenn
Co-Director:
1994 Applause
2000 Fort forover
2003 Save the Children
2004 Uno
2014 Behind The Scenes - Captain Sabertooth and the Treasure of Lama Rama
???? Spenn
Director:
1994 Applause
2000 Fort forover
2003 Save the Children
2004 Uno
2014 Behind The Scenes - Captain Sabertooth and the Treasure of Lama Rama
2014 Captain Sabertooth and the Treasure of Lama Rama
2018 The Quake
2021 The Burning Sea
2024 NR. 24
???? Spenn
Director of Photography:
1994 Applause
2000 Fort forover
2002 Most People Live in China
2003 Buddy
2003 Save the Children
2004 Cry in the Woods
2004 Uno
2005 Next Door
2006 Uro
2007 The Radio Pirates
2008 Cold Lunch
2008 Varg Veum - Fallen Angels
2009 Upperdog
2010 King of Devil's Island
2011 Headhunters
2011 The Monitor
2012 All That Matters Is Past
2014 Behind The Scenes - Captain Sabertooth and the Treasure of Lama Rama
2014 Captain Sabertooth and the Treasure of Lama Rama
2016 A Conspiracy of Faith
2018 Congo
2018 The Quake
2021 The Burning Sea
2024 NR. 24
???? Spenn
Second Unit Director of Photography:
1994 Applause
2000 Fort forover
2002 Most People Live in China
2003 Buddy
2003 Save the Children
2004 Cry in the Woods
2004 Uno
2005 Next Door
2006 Uro
2007 The Radio Pirates
2008 Cold Lunch
2008 Varg Veum - Fallen Angels
2009 Upperdog
2010 King of Devil's Island
2011 Headhunters
2011 The Monitor
2012 All That Matters Is Past
2014 Behind The Scenes - Captain Sabertooth and the Treasure of Lama Rama
2014 Captain Sabertooth and the Treasure of Lama Rama
2016 A Conspiracy of Faith
2017 The Snowman
2018 Congo
2018 The Quake
2021 The Burning Sea
2024 NR. 24
???? Spenn
Still Photographer:
1994 Applause
2000 Fort forover
2002 Most People Live in China
2003 Buddy
2003 Save the Children
2004 Cry in the Woods
2004 Uno
2005 Next Door
2006 Uro
2007 The Radio Pirates
2008 Cold Lunch
2008 Varg Veum - Fallen Angels
2009 Upperdog
2010 King of Devil's Island
2011 Headhunters
2011 The Monitor
2012 All That Matters Is Past
2014 Behind The Scenes - Captain Sabertooth and the Treasure of Lama Rama
2014 Captain Sabertooth and the Treasure of Lama Rama
2016 A Conspiracy of Faith
2017 The Snowman
2018 Congo
2018 The Quake
2021 The Burning Sea
2024 NR. 24
???? Spenn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.