A work in constant progress (and occasional regress).
Birthplace:
Panjshir, Afghanistan
Born:
September 7, 1962
From Wikipedia, the free encyclopedia Siddiq Barmak (Born September 7, 1962) in Panjshir, Afghanistan, is a film director and producer. He received an M.A degree in cinema direction from the Moscow Film Institute (VGIK) in 1987. He has written a few screenplays and has made a few short films. His first feature film Osama, won the Golden Globe for Best Foreign Language Film in 2004. There is a stylistic echo in Osama featured in Afghan films by the Iranian Makhmalbaf dynasty; father Mohsen's Kandahar, and daughter Samira Makhmalbaf's At Five in the Afternoon, the latter also shot in post-Taliban Kabul. Barmak directed Osama with significant funding and assistance from the elder Makhmalbaf. The Iranian director invested thousands of dollars in the film, lending Barmak his Arriflex camera and encouraging him to send the movie to international festivals, which eventually generated further funding from Japanese and Irish producers. Barmak received "UNESCO’s Fellini Silver Medal" for his drama, Osama, in 2003. Barmak is also director of the Afghan Children Education Movement (ACEM), an association that promotes literacy, culture and the arts, which was also founded by Makhmalbaf. The school trains actors and directors for newly emerging Afghan cinema. Barmak is one of the celebrated figures in Persian cinema as well as the emerging cinema of Afghanistan. Description above from the Wikipedia article Siddiq Barmak, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.