A work in constant progress (and occasional regress).
Alias:
Wendell Reid Corey
Birthplace:
Dracut, Massachusetts, USA
Born:
March 20, 1914
Died:
November 8, 1968
From Wikipedia, the free encyclopedia Wendell Reid Corey (March 20, 1914 – November 8, 1968) was an American actor and politician. He began his acting career on the stage, doing a number of productions in summer stock. His Broadway debut was in Comes the Revelation (1942). After appearing in a number of supporting roles, he scored his first hit as a cynical newspaperman in Elmer Rice's comedy Dream Girl (1945). While appearing in the play Corey was seen by producer Hal Wallis, who persuaded him to sign a contract with Paramount and pursue a motion picture career in Hollywood. His movie debut came as a gangster in Desert Fury (1947). He starred with Casey Walters in the television series Harbor Command (1957–1958), co-starred on The Nanette Fabray Show (1961), and, during its first season, had the lead role in the medical drama The Eleventh Hour (1962–1963). Corey made guest appearances on a number of programs, including Target: The Corruptors!, Channing, Alfred Hitchcock Presents, The Untouchables, Burke's Law, Perry Mason, The Road West, and The Wild Wild West. He served as president of the Academy of Motion Picture Arts and Sciences from 1961 to 1963 and was a member of the board of directors of the Screen Actors Guild. A Republican campaigner in national politics since 1956, Corey was elected to the Santa Monica City Council in April 1965. The conservative politician ran for the California seat in the United States Congress in 1966, but lost the primary election. He was still a councilman at the time of his death.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.