A work in constant progress (and occasional regress).
Alias:
Can Togay János
Birthplace:
Budapest, Hungary
Born:
August 27, 1955
Can Togay (Turkish: [ˈdʒan ˈtoɡaj]; born August 27, 1955), also known as János Can Togay, is a Hungarian film director, screenwriter, actor, poet, producer, cultural manager and cultural diplomat. Can Togay was born the son of Turkish parents. He spent his childhood in Germany. In 1969, he joined the Péter Halász troupe. Between 1973 and 1978, he studied on the German and English faculty of Eötvös Loránd University, followed by two years of post-graduate work on German-French comparative linguistics under Jean-Marie Zemb of the Sorbonne Nouvelle in Paris. He finished in 1980. In 1984, he graduated from the faculty of direction of the Színház- és Filmművészeti Főiskola (College of Theatrical and Video Arts) in Budapest as the student of Zoltán Fábri. In 1991 he moved to Finland for four years. His 1992 film A nyaraló was screened in the Un Certain Regard section at the 1992 Cannes Film Festival. In 1978, he had poems published in the Mozgó Világ (Moving World). In 2004, his first collection of poems was released by the publisher Aranykor Kiadó (Golden Age Publisher). He conceived the idea of the Holocaust Memorial Cipők a Duna-parton (Shoes on the Danube Promenade) in Budapest, and was also a co-maker of it with Gyula Pauer. Since January 1, 2008, he is the head of the Collegium Hungaricum Berlin, the Hungarian Institute for Science and Culture in the German capital and the cultural attaché of the Hungarian Embassy.
Director:
1992 The Summer Guest
1998 One Winter Behind God's Back
Screenplay:
1992 The Summer Guest
1998 One Winter Behind God's Back
2007 A barátkozás lehetőségei
Writer:
1992 The Summer Guest
1998 One Winter Behind God's Back
2002 The Bridgeman
2003 Down by Love
2007 A barátkozás lehetőségei
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.