A work in constant progress (and occasional regress).
Born:
July 22, 1977
Once a celebrated pop star, now a prominent Swedish film score composer who also have worked extensively across TV and commercials. Jennie Löfgren has also released her first solo work of instrumental music. In September 2018, the first part of her Dreamology series saw the light of day; a collection of delicate and beautiful piano pieces. The first track,The Waves, was also accompanied by a video shot and directed by Jennie herself. It peaked on number 9 most played classical songs on Apple Music. Jennie has been rewarded with SKAPs award/scholarship for her achievements in Swedish film music.
Music:
2022 People Like Us Never Change
Original Music Composer:
2006 Beck 17 - The Scorpion
2006 Beck 18 - The Girl in the Root Cellar
2007 Beck 19 - The Vulture
2007 Beck 20 - The Lawyer
2007 Beck 21 - The Japanese Painting
2007 Beck 22 - The Weak Link
2007 Beck 23 - The Silent Scream
2007 Beck 24 - In the Name of God
2009 Beck 25 - The Eye of the Storm
2010 Beck 26 - Buried Alive
2015 For Better and Worse
2017 Vilken jävla cirkus
2022 People Like Us Never Change
Music:
1999 Beck
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.