A work in constant progress (and occasional regress).
Birthplace:
London, England, UK
Born:
July 7, 1932
John Turner (born 7 July 1932) is a British television and film actor. One of Turner's most recognisable roles was that of Roderick Spode (6 episodes, 1991–1993) in the ITV television series Jeeves and Wooster, based on the P. G. Wodehouse novels. He had performed the same role earlier in his career at Her Majesty's Theatre, London in Andrew Lloyd Webber's musical flop Jeeves. At the Prince Edward Theatre he performed in the role of Juan Perón in the musical theatre show Evita. He later returned to the West End playing Molokov in Tim Rice’s Chess. He also portrayed Charlemagne in the original West End cast of Pippin at His Majesty's Theatre. Turner made his television debut in 1957, playing a hillbilly in Operation Fracture. In 1963 he appeared in 5/13 episodes of The Sentimental Agent as Bill Randall and in four episodes replaced the lead character played by Carlos Thompson. In a career that lasted more than 40 years, he also appeared in 36 episodes of Knight Errant Limited as Adam Knight (1959–1960), as well as in episodes of Z-Cars (1967), The Saint (1968), The Champions (1968), Fall of Eagles (1974), the TV mini series Lorna Doone (1976), Heartbeat (1992), The Adventures of Young Indiana Jones (1999) and The Bill (2000). Film roles include John in Behemoth the Sea Monster (1959), Lieutenant Pattinson in Petticoat Pirates (1961), Sir Richard Fordyke in The Black Torment (1964), Joab in Captain Nemo and the Underwater City (1969), The Major-domo in The Slipper and the Rose (1976), the Afrikaner Minister in The Power of One (1992), Rasputin: Dark Servant of Destiny (1996) and Lord Lot in Merlin (1998).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.