A work in constant progress (and occasional regress).
Alias:
Benn Levy
Benn Wolfe Levy
Birthplace:
London, England, UK
Born:
March 7, 1900
Died:
December 7, 1973
From Wikipedia, the free encyclopedia Benn Wolfe Levy (7 March 1900 – 7 December 1973) was a Labour Party Member of Parliament in the House of Commons of the Parliament of the United Kingdom, and a successful playwright. He was educated at Repton School and University College, Oxford and served in uniform in both World Wars. Before entering politics, Levy was a successful playwright who also wrote screenplays. The best known of his screenplays was written in collaboration with R. C. Sherriff for James Whale's macabre horror film The Old Dark House (1932) based on the novel Benighted (1927) by J. B. Priestley. Earlier he had been the dialogue writer for Blackmail (1929); directed by Alfred Hitchcock, it was the first British sound film. Levy directed one film, Lord Camber's Ladies (1932), which was the only film produced by Hitchcock which he did not himself direct. Levy was first elected at the 1945 general election, for the Eton and Slough constituency, and stood down at the 1950 general election. Politically, Levy was on the left of the Labour Party and became an active member of the Campaign for Nuclear Disarmament). As a sympathiser with the Zionist movement, he also opposed Foreign Secretary Ernest Bevin over Bevin's policies towards Palestine and Israel. As an MP, Levy made an unsuccessful effort to abolish theatrical censorship in Britain, and towards the end of his life, he was the principal author of a report opposing the arguments for censorship made by Lord Longford, the anti-pornography campaigner. He was married for more than 40 years to the American-born screen and stage actress Constance Cummings; they had one daughter and one son.
Adaptation:
1931 Waterloo Bridge
1933 Topaze
Additional Dialogue:
1929 Kitty
1931 Transgression
1931 Waterloo Bridge
1933 Topaze
Dialogue:
1929 Blackmail
1929 Kitty
1929 The Informer
1931 Transgression
1931 Waterloo Bridge
1933 Topaze
Director:
1929 Blackmail
1929 Kitty
1929 The Informer
1931 Transgression
1931 Waterloo Bridge
1932 Lord Camber's Ladies
1933 Topaze
Screenplay:
1929 Blackmail
1929 Kitty
1929 The Informer
1931 Transgression
1931 Waterloo Bridge
1932 Devil and the Deep
1932 Lord Camber's Ladies
1932 The Old Dark House
1933 Topaze
1934 Melody in Spring
Story:
1929 Blackmail
1929 Kitty
1929 The Informer
1931 The Gay Diplomat
1931 Transgression
1931 Waterloo Bridge
1932 Devil and the Deep
1932 Lord Camber's Ladies
1932 The Old Dark House
1933 Topaze
1934 Melody in Spring
Theatre Play:
1929 Blackmail
1929 Kitty
1929 The Informer
1931 The Gay Diplomat
1931 Transgression
1931 Waterloo Bridge
1932 Devil and the Deep
1932 Lord Camber's Ladies
1932 The Old Dark House
1933 Topaze
1934 Evergreen
1934 Melody in Spring
Writer:
1929 Blackmail
1929 Kitty
1929 The Hate Ship
1929 The Informer
1930 The Temporary Widow
1931 The Gay Diplomat
1931 Transgression
1931 Waterloo Bridge
1932 Devil and the Deep
1932 Lord Camber's Ladies
1932 The Old Dark House
1933 Topaze
1934 Evergreen
1934 Melody in Spring
1934 Unfinished Symphony
1935 The Dictator
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.