A work in constant progress (and occasional regress).
Alias:
Miguel F. Milà
Miguel Fernández Milà
Miguel Mila
Miguel Milà
Assistant Camera:
1944 Orosia
Camera Operator:
1944 Orosia
1947 María Fernanda la Jerezana
1950 La esfinge maragata
1963 Sign of Zorro
Cinematography:
1944 Orosia
1947 María Fernanda la Jerezana
1950 La esfinge maragata
1956 The Black Flag
1961 Despedida de soltero
1961 La cuarta carabela
1963 Sign of Zorro
1975 Death of a Hoodlum
1985 Una y sonada...
Director of Photography:
1944 Orosia
1947 María Fernanda la Jerezana
1950 La esfinge maragata
1952 Aimless boat
1953 Bella, la salvaje
1954 Tres huchas para Oriente
1956 The Black Flag
1957 El bandido generoso
1957 Flame Over Vietnam
1957 Polvorilla
1959 Los cobardes
1960 La rosa roja
1961 Despedida de soltero
1961 La cuarta carabela
1962 Bahía de Palma
1962 El último verano
1962 Los desamparados
1963 Sign of Zorro
1963 Sol de verano
1964 Júrame
1964 Viento del sur
1965 El tímido
1965 Murieta
1965 The Relentless Four
1967 The Man Who Killed Billy the Kid
1968 ¡Cuidado con las señoras!
1970 Arizona Colt Returns
1970 Awkward Hands
1970 Churchill's Leopards
1972 All the Colors of the Dark
1972 His Name Was Holy Ghost
1973 Attack of the Blind Dead
1973 Disco rojo
1973 The Loreley's Grasp
1974 Patience Has a Limit, We Don't
1975 A Dragonfly for Each Corpse
1975 Death of a Hoodlum
1975 The Night of the Walking Dead
1976 The Kidnapping
1976 The People Who Own the Dark
1977 Inquisition
1977 Three Days in November
1978 El hombre que yo quiero
1978 Réquiem por un empleado
1980 Crónicas del bromuro
1980 Morir de miedo
1980 Un cero a la izquierda
1982 Blue Beach
1982 Las trampas del matrimonio
1985 Don Cipote de la Manga
1985 Una y sonada...
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.