A work in constant progress (and occasional regress).
Born:
March 16, 1971
Jess Hall, ASC, BSC, is a British cinematographer. His parents were Stuart Hall, the Jamaican-born cultural studies pioneer and former professor at the Open University, and Catherine Hall, a professor and leading historian at University College, London. Hall's first job as cinematographer took place on the production of the film Stander, starring Thomas Jane. He acted as director of photography on several British productions, including the Edgar Wright crime comedy Hot Fuzz, the comedy Son of Rambow, and the drama Brideshead Revisited, his work on which earned him a Satellite Award nomination. Hall began working on American productions, starting with the 2010 comedy The Switch, followed by 30 Minutes or Less, The Spectacular Now, and Transcendence. He was the cinematographer for the Scarlett Johansson-starring adaptation of the Japanese anime Ghost in the Shell. He has stated that he sought out a digital camera that could replicate the style anime is shown in. Hall studied at New York University as well as at St. Martins College of Art & Design. Description above from the Wikipedia article Jess Hall, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Photography:
2024 Ugo: A Homecoming Story
Director of Photography:
1995 Evidentia
2002 Hideous Man
2002 The Cicerones
2003 Stander
2007 Don't
2007 Grindhouse
2007 Hot Fuzz
2007 Son of Rambow
2008 Brideshead Revisited
2009 Creation
2010 The Switch
2011 30 Minutes or Less
2011 D-Minus
2011 The Boy with Chocolate Fingers
2013 The Spectacular Now
2014 Strap Hanging
2014 Transcendence
2015 The Foreigner
2017 Ghost in the Shell
2019 Serenity
2023 Chevalier
2024 Ugo: A Homecoming Story
2025 The Fantastic Four: First Steps
Director of Photography:
2021 WandaVision
2023 Monarch: Legacy of Monsters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.