A work in constant progress (and occasional regress).
Alias:
Inés Mongil Echandí
Associate Producer:
2016 True Memoirs of an International Assassin
Director:
2010 El viaje de Tortuga
2016 True Memoirs of an International Assassin
???? Clubman 13.3.13
Executive Producer:
2010 El viaje de Tortuga
2013 Carmelo
2016 True Memoirs of an International Assassin
2017 Nébula
???? Clubman 13.3.13
Producer:
2010 El viaje de Tortuga
2013 Carmelo
2013 La doble imagen
2016 True Memoirs of an International Assassin
2017 Nébula
???? Clubman 13.3.13
Production Manager:
2001 Piñero
2010 El viaje de Tortuga
2010 Meant To Be
2013 Carmelo
2013 La doble imagen
2016 The Do-Over
2016 True Memoirs of an International Assassin
2017 Nébula
2018 Replicas
???? Clubman 13.3.13
Production Office Coordinator:
1997 Contact
2001 Piñero
2010 El viaje de Tortuga
2010 Meant To Be
2013 Carmelo
2013 La doble imagen
2016 The Do-Over
2016 True Memoirs of an International Assassin
2017 Nébula
2018 Replicas
???? Clubman 13.3.13
Production Supervisor:
1997 Contact
2001 Piñero
2004 Dirty Dancing: Havana Nights
2006 El Cantante
2006 The Hoax
2007 Illegal Tender
2009 A Perfect Getaway
2009 The Maiden Heist
2010 El viaje de Tortuga
2010 Meant To Be
2013 Carmelo
2013 La doble imagen
2016 Masterminds
2016 The Do-Over
2016 True Memoirs of an International Assassin
2017 Nébula
2018 Replicas
???? Clubman 13.3.13
Unit Production Manager:
1997 Contact
2001 Piñero
2004 Dirty Dancing: Havana Nights
2006 El Cantante
2006 The Hoax
2007 Illegal Tender
2009 A Perfect Getaway
2009 The Maiden Heist
2010 El viaje de Tortuga
2010 Meant To Be
2013 Carmelo
2013 La doble imagen
2016 Masterminds
2016 The Do-Over
2016 True Memoirs of an International Assassin
2017 Extortion
2017 Nébula
2018 Replicas
???? Clubman 13.3.13
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.