Pierre Carles (b. 1962)

Alias:
بيير كارلز

Birthplace:
Talence, Gironde, France

Born:
April 2, 1962

Pierre Carles was born in 1962 in Gironde. He spent part of his childhood and adolescence in Chile and Colombia with his mother, a teacher in French schools. He returned to France in the late 1970s and studied socio-cultural animation, then journalism.  He worked in television from 1988, first as a news cameraman for France 3 Régions, then as a columnist or author of humorous subjects in variety shows (TF1, France 2, Canal +, M6). From 1993, he made short documentaries for the Belgian-French show Strip-tease (France 3) and for the magazine Brut (ARTE).  In 1998, he created a production company in Montpellier, with around ten audiovisual and cinema workers involved in the production of his first feature film, Pas vu pas pris, including producer Annie Gonzalez. From 1998 to 2020, he directed or co-directed around ten feature-length documentaries for the cinema, which deal with media criticism (Pas vu pas pris, 1998; Enfin pris?, 2002; Fin de concession, 2010; Les Ânes ont soif, 2004), the questioning of wage labor and the possibility of living differently (Attention danger travail, 2003; Volem rien foutre al païs, 2007), armed struggle (Ni vieux, ni traîtres, 2006)...  He is also the author of filmed portraits of singular personalities such as Professor Choron (Choron dernière, 2008, with Éric Martin) or Pierre Bourdieu, whom he followed for three years to produce La sociologie est un sport de combat (2001). Through the exchanges of the great researcher with colleagues, journalists or activists, the profound nature of sociological practice and its critical potential are expressed.

Additional information:

The Search Form


Art Direction:
1992  1992 : pourquoi les jeunes aiment le rap ?

Director:
1992  1992 : pourquoi les jeunes aiment le rap ?
1995  Juppé, forcément...
1995  Pas vu à la télé
1998  Pas vu, pas pris
2001  Sociology Is a Martial Art
2002  Enfin pris ?
2003  Attention danger travail
2006  Neither Old Nor Traitors
2007  Bages-Sigean à la rame
2007  Volem rien foutre al païs
2008  Charlie Hebdo se fait Hara Kiri
2009  Choron dernière
2010  Fin de concession
2012  Hollande, DSK, etc ...
2015  Les Ânes ont soif
2015  On a mal à la dette
2016  On revient de loin
2019  Un berger et deux perchés à l'Elysée ?
2020  Gébé on arrête tout, on réfléchit
2020  Le Rond-Point de la colère
2020  Tant pis tant mieux
2024  The Farc Guerilla, a History of the Future

Director of Photography:
1992  1992 : pourquoi les jeunes aiment le rap ?
1995  Juppé, forcément...
1995  Pas vu à la télé
1998  Pas vu, pas pris
2001  Sociology Is a Martial Art
2002  Enfin pris ?
2003  Attention danger travail
2006  Neither Old Nor Traitors
2007  Bages-Sigean à la rame
2007  Volem rien foutre al païs
2008  Charlie Hebdo se fait Hara Kiri
2009  Choron dernière
2010  Fin de concession
2012  Hollande, DSK, etc ...
2015  Les Ânes ont soif
2015  On a mal à la dette
2016  On revient de loin
2019  Un berger et deux perchés à l'Elysée ?
2020  Gébé on arrête tout, on réfléchit
2020  Le Rond-Point de la colère
2020  Tant pis tant mieux
2024  The Farc Guerilla, a History of the Future

Editor:
1992  1992 : pourquoi les jeunes aiment le rap ?
1995  Juppé, forcément...
1995  Pas vu à la télé
1998  Pas vu, pas pris
2001  Sociology Is a Martial Art
2002  Enfin pris ?
2003  Attention danger travail
2006  Neither Old Nor Traitors
2007  Bages-Sigean à la rame
2007  Volem rien foutre al païs
2008  Charlie Hebdo se fait Hara Kiri
2009  Choron dernière
2010  Fin de concession
2012  Hollande, DSK, etc ...
2015  Les Ânes ont soif
2015  On a mal à la dette
2016  On revient de loin
2019  Un berger et deux perchés à l'Elysée ?
2020  Gébé on arrête tout, on réfléchit
2020  Le Rond-Point de la colère
2020  Tant pis tant mieux
2024  The Farc Guerilla, a History of the Future

Producer:
1992  1992 : pourquoi les jeunes aiment le rap ?
1995  Juppé, forcément...
1995  Pas vu à la télé
1998  Pas vu, pas pris
2001  Sociology Is a Martial Art
2002  Enfin pris ?
2003  Attention danger travail
2006  Neither Old Nor Traitors
2007  Bages-Sigean à la rame
2007  Volem rien foutre al païs
2008  Charlie Hebdo se fait Hara Kiri
2009  Choron dernière
2010  Fin de concession
2012  Hollande, DSK, etc ...
2015  Les Ânes ont soif
2015  On a mal à la dette
2016  On revient de loin
2019  Un berger et deux perchés à l'Elysée ?
2020  Gébé on arrête tout, on réfléchit
2020  Le Rond-Point de la colère
2020  Tant pis tant mieux
2024  The Farc Guerilla, a History of the Future

Scenario Writer:
1992  1992 : pourquoi les jeunes aiment le rap ?
1995  Juppé, forcément...
1995  Pas vu à la télé
1998  Pas vu, pas pris
2001  Sociology Is a Martial Art
2002  Enfin pris ?
2003  Attention danger travail
2006  Neither Old Nor Traitors
2007  Bages-Sigean à la rame
2007  Volem rien foutre al païs
2008  Charlie Hebdo se fait Hara Kiri
2009  Choron dernière
2010  Fin de concession
2012  Hollande, DSK, etc ...
2015  Les Ânes ont soif
2015  On a mal à la dette
2016  On revient de loin
2019  Un berger et deux perchés à l'Elysée ?
2020  Gébé on arrête tout, on réfléchit
2020  Le Rond-Point de la colère
2020  Tant pis tant mieux
2024  The Farc Guerilla, a History of the Future

Writer:
1992  1992 : pourquoi les jeunes aiment le rap ?
1995  Juppé, forcément...
1995  Pas vu à la télé
1998  Pas vu, pas pris
2001  Sociology Is a Martial Art
2002  Enfin pris ?
2003  Attention danger travail
2006  Neither Old Nor Traitors
2007  Bages-Sigean à la rame
2007  Volem rien foutre al païs
2008  Charlie Hebdo se fait Hara Kiri
2009  Choron dernière
2010  Fin de concession
2012  Hollande, DSK, etc ...
2015  Les Ânes ont soif
2015  On a mal à la dette
2016  On revient de loin
2019  Un berger et deux perchés à l'Elysée ?
2020  Gébé on arrête tout, on réfléchit
2020  Le Rond-Point de la colère
2020  Tant pis tant mieux
2024  The Farc Guerilla, a History of the Future

About the Movie Section

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.