A work in constant progress (and occasional regress).
Camera Supervisor:
1998 Aniel
Cinematography:
1998 Aniel
2006 Komma
2021 I Have Been Waiting For You
Director:
1996 Duvetman
1998 Aniel
2006 Komma
2018 Black Indians
2021 I Have Been Waiting For You
Director of Photography:
1996 Duvetman
1998 Aniel
1999 Tous les i de paris s'illuminent
2002 Je m'appelle
2004 Aaltra
2004 One of Many
2006 Komma
2010 Mammuth
2011 Une nouvelle vie
2012 Enfin la fin
2012 The Big Night
2013 Je marcherai jusqu'à la mer
2016 Saint Amour
2016 Y a pas que des histoires de Cucu
2017 The Poisoning Angel
2018 Black Indians
2018 I Feel Good
2018 Watch Me Burn
2020 Apprendre à t'aimer
2020 Delete History
2021 I Have Been Waiting For You
2022 En même temps
2022 Handigang
2023 Invincible Été
2024 Je ne me laisserai plus faire
2025 Animal Totem
Original Music Composer:
1996 Duvetman
1998 Aniel
1999 Tous les i de paris s'illuminent
2002 Je m'appelle
2004 Aaltra
2004 One of Many
2006 Komma
2010 Mammuth
2011 Une nouvelle vie
2012 Enfin la fin
2012 The Big Night
2013 Je marcherai jusqu'à la mer
2016 Saint Amour
2016 Y a pas que des histoires de Cucu
2017 The Poisoning Angel
2018 Black Indians
2018 I Feel Good
2018 Watch Me Burn
2020 Apprendre à t'aimer
2020 Delete History
2021 I Have Been Waiting For You
2022 En même temps
2022 Handigang
2023 Invincible Été
2024 Je ne me laisserai plus faire
2025 Animal Totem
Screenplay:
1996 Duvetman
1998 Aniel
1999 Tous les i de paris s'illuminent
2002 Je m'appelle
2004 Aaltra
2004 One of Many
2006 Komma
2010 Mammuth
2011 Une nouvelle vie
2012 Enfin la fin
2012 The Big Night
2013 Je marcherai jusqu'à la mer
2016 Saint Amour
2016 Y a pas que des histoires de Cucu
2017 The Poisoning Angel
2018 Black Indians
2018 I Feel Good
2018 Watch Me Burn
2020 Apprendre à t'aimer
2020 Delete History
2021 I Have Been Waiting For You
2022 En même temps
2022 Handigang
2023 Invincible Été
2024 Je ne me laisserai plus faire
2025 Animal Totem
Sound:
1996 Duvetman
1998 Aniel
1999 Tous les i de paris s'illuminent
2002 Je m'appelle
2004 Aaltra
2004 One of Many
2006 Komma
2010 Mammuth
2011 Une nouvelle vie
2012 Enfin la fin
2012 The Big Night
2013 Je marcherai jusqu'à la mer
2016 Saint Amour
2016 Y a pas que des histoires de Cucu
2017 The Poisoning Angel
2018 Black Indians
2018 I Feel Good
2018 Watch Me Burn
2020 Apprendre à t'aimer
2020 Delete History
2021 I Have Been Waiting For You
2022 En même temps
2022 Handigang
2023 Invincible Été
2024 Je ne me laisserai plus faire
2025 Animal Totem
Writer:
1996 Duvetman
1998 Aniel
1999 Tous les i de paris s'illuminent
2002 Je m'appelle
2004 Aaltra
2004 One of Many
2006 Komma
2010 Mammuth
2011 Une nouvelle vie
2012 Enfin la fin
2012 The Big Night
2013 Je marcherai jusqu'à la mer
2016 Saint Amour
2016 Y a pas que des histoires de Cucu
2017 The Poisoning Angel
2018 Black Indians
2018 I Feel Good
2018 Watch Me Burn
2020 Apprendre à t'aimer
2020 Delete History
2021 I Have Been Waiting For You
2022 En même temps
2022 Handigang
2023 Invincible Été
2024 Je ne me laisserai plus faire
2025 Animal Totem
Director of Photography:
2022 Following My Dreams
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.