A work in constant progress (and occasional regress).
Alias:
Reginald Ingram Montgomery Hitchcock
Rex Hitchcock
Birthplace:
Dublin, Ireland
Born:
January 15, 1892
Died:
July 21, 1950
Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget. In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young Michael Powell.
Adaptation:
1923 Where the Pavement Ends
1926 The Magician
Art Direction:
1923 Where the Pavement Ends
1926 The Magician
1929 L'évadée
Director:
1916 Broken Fetters
1916 The Chalice of Sorrow
1916 The Great Problem
1917 Black Orchids
1917 The Flower of Doom
1917 The Little Terror
1917 The Pulse of Life
1917 The Reward of the Faithless
1918 Humdrum Brown
1919 The Day She Paid
1920 Hearts Are Trumps
1920 Shore Acres
1920 Under Crimson Skies
1921 The Conquering Power
1921 The Four Horsemen of the Apocalypse
1922 The Prisoner of Zenda
1922 Trifling Women
1922 Turn to the Right
1923 Scaramouche
1923 Where the Pavement Ends
1924 The Arab
1926 Mare Nostrum
1926 The Magician
1927 The Garden of Allah
1928 The Three Passions
1929 L'évadée
1932 Baroud
1932 Baroud
Producer:
1916 Broken Fetters
1916 The Chalice of Sorrow
1916 The Great Problem
1917 Black Orchids
1917 The Flower of Doom
1917 The Little Terror
1917 The Pulse of Life
1917 The Reward of the Faithless
1918 Humdrum Brown
1919 The Day She Paid
1920 Hearts Are Trumps
1920 Shore Acres
1920 Under Crimson Skies
1921 The Conquering Power
1921 The Four Horsemen of the Apocalypse
1922 The Prisoner of Zenda
1922 Trifling Women
1922 Turn to the Right
1923 Scaramouche
1923 Where the Pavement Ends
1924 The Arab
1926 Mare Nostrum
1926 The Magician
1927 The Garden of Allah
1928 The Three Passions
1929 L'évadée
1932 Baroud
1932 Baroud
Scenario Writer:
1915 Should a Mother Tell
1915 The Wonderful Adventure
1916 Broken Fetters
1916 The Chalice of Sorrow
1916 The Great Problem
1917 Black Orchids
1917 The Flower of Doom
1917 The Little Terror
1917 The Pulse of Life
1917 The Reward of the Faithless
1918 Humdrum Brown
1919 The Day She Paid
1920 Hearts Are Trumps
1920 Shore Acres
1920 Under Crimson Skies
1921 The Conquering Power
1921 The Four Horsemen of the Apocalypse
1922 The Prisoner of Zenda
1922 Trifling Women
1922 Turn to the Right
1923 Scaramouche
1923 Where the Pavement Ends
1924 The Arab
1926 Mare Nostrum
1926 The Magician
1927 The Garden of Allah
1928 The Three Passions
1929 L'évadée
1932 Baroud
1932 Baroud
Screenplay:
1915 Should a Mother Tell
1915 The Wonderful Adventure
1916 Broken Fetters
1916 The Chalice of Sorrow
1916 The Great Problem
1917 Black Orchids
1917 The Flower of Doom
1917 The Little Terror
1917 The Pulse of Life
1917 The Reward of the Faithless
1918 Humdrum Brown
1919 The Day She Paid
1920 Hearts Are Trumps
1920 Shore Acres
1920 Under Crimson Skies
1921 The Conquering Power
1921 The Four Horsemen of the Apocalypse
1922 The Prisoner of Zenda
1922 Trifling Women
1922 Turn to the Right
1923 Scaramouche
1923 Where the Pavement Ends
1924 The Arab
1926 Mare Nostrum
1926 The Magician
1927 The Garden of Allah
1928 The Three Passions
1929 L'évadée
1932 Baroud
1932 Baroud
Story:
1915 Should a Mother Tell
1915 The Wonderful Adventure
1916 Broken Fetters
1916 The Chalice of Sorrow
1916 The Great Problem
1917 Black Orchids
1917 The Flower of Doom
1917 The Little Terror
1917 The Pulse of Life
1917 The Reward of the Faithless
1918 Humdrum Brown
1919 The Day She Paid
1920 Hearts Are Trumps
1920 Shore Acres
1920 Under Crimson Skies
1921 The Conquering Power
1921 The Four Horsemen of the Apocalypse
1922 The Prisoner of Zenda
1922 Trifling Women
1922 Turn to the Right
1923 Scaramouche
1923 Where the Pavement Ends
1924 The Arab
1926 Mare Nostrum
1926 The Magician
1927 The Garden of Allah
1928 The Three Passions
1929 L'évadée
1932 Baroud
1932 Baroud
Writer:
1915 Should a Mother Tell
1915 The Galley Slave
1915 The Song of Hate
1915 The Wonderful Adventure
1916 Broken Fetters
1916 The Chalice of Sorrow
1916 The Great Problem
1917 Black Orchids
1917 The Flower of Doom
1917 The Little Terror
1917 The Pulse of Life
1917 The Reward of the Faithless
1918 Humdrum Brown
1919 The Day She Paid
1920 Hearts Are Trumps
1920 Shore Acres
1920 Under Crimson Skies
1921 The Conquering Power
1921 The Four Horsemen of the Apocalypse
1922 The Prisoner of Zenda
1922 Trifling Women
1922 Turn to the Right
1923 Scaramouche
1923 Where the Pavement Ends
1924 The Arab
1926 Mare Nostrum
1926 The Magician
1927 The Garden of Allah
1928 The Three Passions
1929 L'évadée
1932 Baroud
1932 Baroud
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.