A work in constant progress (and occasional regress).
Alias:
Mathias Biber
Director of Photography:
2012 Conakry
2020 Quantum Creole
Sound:
2005 The Ballad of Two Shoes
2012 Conakry
2020 Quantum Creole
Steadicam Operator:
2005 Ketchup Connection
2005 The Ballad of Two Shoes
2006 Pingpong
2008 Silvester Home Run
2012 Barbara
2012 Conakry
2013 Grenzgang
2014 Phoenix
2016 Lotte Jäger und das tote Mädchen
2017 Berlin Syndrome
2017 Detour
2019 A Regular Woman
2019 I Was at Home, But . . .
2020 Quantum Creole
2020 Undine
2022 You Will Not Have My Hate
2025 Mirrors No. 3
Steadycam:
2005 Ketchup Connection
2005 The Ballad of Two Shoes
2006 Pingpong
2008 Silvester Home Run
2012 Barbara
2012 Conakry
2013 Grenzgang
2014 Phoenix
2015 13 Minutes
2016 Lotte Jäger und das tote Mädchen
2017 Berlin Syndrome
2017 Detour
2019 A Regular Woman
2019 I Was at Home, But . . .
2020 Quantum Creole
2020 Undine
2022 You Will Not Have My Hate
2025 Mirrors No. 3
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.