A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
March 29, 1957
François Margolin, born on the 29th of March 1957, alumnus from FEMIS (French National Film School), combines the hats of writer, director and producer. He directed Mensonge in 1994, with Nathalie Baye, The Opium of the Talibans in 2001 and Les Petits Soldats (about Child Soldiers in Liberia) in 2005. His first short movie, Elle et Lui, won the famous Jean Vigo Prize. His work as a producer won him to work with prestigious directors like Raoul Ruiz (Nucingen House, Dias de Campo), Hou Hsiao-Hsien (The Flight of the Red Balloon), Raymond Depardon (Empty Quarter, une Femme en Afrique), Olivier Assayas (Boarding Gate) or Costa Gavras and Abbas Kiarostami for the omnibus documentary À propos de Nice, la suite. In 1986 he created the production company of Médecins Sans Frontières in Paris and worked as a journalist during the eighties for Liberation and L’Express, in Africa and Afghanistan. He published a successful book about the Black Jews of Ethiopia, We were the only Jews in the World, in 2008.
Associate Producer:
2007 La Recta Provincia
Director:
1993 Mensonge
2003 OAS, Une histoire interdite
2004 Les petits soldats
2007 La Recta Provincia
2015 The Art Dealer
2016 Jihadists
2023 L'automne à Pyongyang, un portrait de Claude Lanzmann
2023 Sarah Halimi: An Anti-Semitic and Unpunished Crime
???? Paris, The Visit
Producer:
1985 Empty Quarter: A Woman in Africa
1993 Mensonge
1995 Concerning Nice
2000 The Pilgrimage of Students and Jacob
2003 OAS, Une histoire interdite
2004 Days in the Country
2004 Les petits soldats
2007 Boarding Gate
2007 Flight of the Red Balloon
2007 La Recta Provincia
2008 Secrets
2009 Nucingen House
2015 The Art Dealer
2016 Death in Sarajevo
2016 Jihadists
2016 Peshmerga
2017 Napalm
2017 The Battle of Mosul
2021 Dirty Lands
2021 Sons of Cain
2023 L'automne à Pyongyang, un portrait de Claude Lanzmann
2023 Les Secrets de la princesse de Cadignan
2023 Sarah Halimi: An Anti-Semitic and Unpunished Crime
2023 Slava Ukraini
???? Paris, The Visit
Screenplay:
1985 Empty Quarter: A Woman in Africa
1993 Mensonge
1995 Concerning Nice
2000 The Pilgrimage of Students and Jacob
2003 OAS, Une histoire interdite
2004 Days in the Country
2004 Les petits soldats
2007 Boarding Gate
2007 Flight of the Red Balloon
2007 La Recta Provincia
2008 Secrets
2009 Nucingen House
2015 The Art Dealer
2016 Death in Sarajevo
2016 Jihadists
2016 Peshmerga
2017 Napalm
2017 The Battle of Mosul
2021 Dirty Lands
2021 Sons of Cain
2023 L'automne à Pyongyang, un portrait de Claude Lanzmann
2023 Les Secrets de la princesse de Cadignan
2023 Sarah Halimi: An Anti-Semitic and Unpunished Crime
2023 Slava Ukraini
???? Paris, The Visit
Writer:
1985 Empty Quarter: A Woman in Africa
1993 Mensonge
1995 Concerning Nice
2000 The Pilgrimage of Students and Jacob
2003 OAS, Une histoire interdite
2004 Days in the Country
2004 Les petits soldats
2007 Boarding Gate
2007 Flight of the Red Balloon
2007 La Recta Provincia
2008 Secrets
2009 Nucingen House
2015 The Art Dealer
2016 Death in Sarajevo
2016 Jihadists
2016 Peshmerga
2017 Napalm
2017 The Battle of Mosul
2021 Dirty Lands
2021 Sons of Cain
2023 L'automne à Pyongyang, un portrait de Claude Lanzmann
2023 Les Secrets de la princesse de Cadignan
2023 Sarah Halimi: An Anti-Semitic and Unpunished Crime
2023 Slava Ukraini
???? Paris, The Visit
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.