A work in constant progress (and occasional regress).
Birthplace:
France
Born:
December 5, 1978
Art Direction:
2019 Mothers' Instinct
Director:
2019 Mothers' Instinct
2020 Pompei
Production Design:
2006 Private Property
2009 Private Lessons
2010 Love Like Poison
2012 Last Winter
2012 Our Children
2013 Suzanne
2013 Vandal
2014 Eden
2015 Summertime
2016 Things to Come
2017 Number One
2019 Mothers' Instinct
2020 Pompei
2021 The Restless
2022 Zero Fucks Given
2023 Two Tickets to Greece
2024 A Silence
Screenplay:
2006 Private Property
2009 Private Lessons
2010 Love Like Poison
2012 Last Winter
2012 Our Children
2013 Suzanne
2013 Vandal
2014 Eden
2015 Summertime
2016 Things to Come
2017 Number One
2019 Mothers' Instinct
2020 Pompei
2021 The Restless
2022 Zero Fucks Given
2023 Two Tickets to Greece
2024 A Silence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.