A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Sam Davis is a film producer born in New York City. He graduated from the University of Southern California and studied German at UCLA. After working at 20th Century Fox, he founded his own company Insight Out Films. He traveled to to Frankfurt, Germany in 1992 where he wrote and directed the documentary Warum wir hier sind. From 1993 to 1998, he was head of the TV Movie Department at RTL Television in Cologne. In 1998, he became a partner and Co-CEO of Cologne-based production company Zeitsprung. From 2004 until 2009, he took charge of the German Fiction department of Endemol Germany. In January 2010, he co-founded and became CEO of the Cologne-based film production company Rowboat Film- und Fernsehproduktion.
Executive Producer:
1998 Ferkel Fritz
2016 Weil ich dich liebe
2022 Jeanny - The Fifth Girl
Producer:
1998 Ferkel Fritz
2003 Das Wunder von Lengede
2011 The Miracle of Carinthia
2013 Ein Sommer in Portugal
2013 The End of Lies
2014 Lebe lieber italienisch!
2016 Weil ich dich liebe
2020 Aus Haut und Knochen
2022 Jeanny - The Fifth Girl
2024 Allein zwischen den Fronten
Production Executive:
1998 Ferkel Fritz
1998 Gigolo – Bei Anruf Liebe
1998 Silvias Bauch - Zwei Männer und (k)ein Baby
1998 The Hairdresser and the Millionaire
2003 Das Wunder von Lengede
2011 The Miracle of Carinthia
2013 Ein Sommer in Portugal
2013 The End of Lies
2014 Lebe lieber italienisch!
2016 Weil ich dich liebe
2020 Aus Haut und Knochen
2022 Jeanny - The Fifth Girl
2024 Allein zwischen den Fronten
Executive Producer:
2014 Murder by the Lake
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.