A work in constant progress (and occasional regress).
Birthplace:
London, Ontario, Canada
Born:
April 19, 1973
From Wikipedia, the free encyclopedia. Michael Dowse (born April 19, 1973) is a Canadian film director. Born and raised in London, Ontario, he was trained as a film editor. His first full-length movie, FUBAR was shot on a digital camera with a tiny budget, but was selected by the Sundance Film Festival and screened on the prestigious midnight slot, which had launched the revolutionary film The Blair Witch Project. Though it failed to get picked up by any major American theatrical distributors, FUBAR subsequently became a cult hit in Canada. Following the success of FUBAR, Dowse went on to direct the higher-budget British film "It's All Gone Pete Tong", the story of a deaf DJ in Ibiza. Dowse's next production, the 1980s retro comedy Take Me Home Tonight, started shooting in Phoenix, Arizona on the week beginning 19 February 2007 and is scheduled to be released in 2011. He currently resides in Montreal with his wife and child. Description above from the Wikipedia article Michael Dowse, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
2002 Fubar
2004 It's All Gone Pete Tong
2010 Fubar II
2011 Take Me Home Tonight
2012 Goon
2013 What If
2019 Stuber
2020 Coffee & Kareem
2021 8-Bit Christmas
???? Blood Brothers
???? Trap House
Director of Photography:
2002 Fubar
2004 It's All Gone Pete Tong
2010 Fubar II
2011 Take Me Home Tonight
2012 Goon
2013 What If
2019 Stuber
2020 Coffee & Kareem
2021 8-Bit Christmas
???? Blood Brothers
???? Trap House
Editor:
1999 Bad Money
2002 Fubar
2002 Looking for Leonard
2004 It's All Gone Pete Tong
2010 Fubar II
2011 Take Me Home Tonight
2012 Goon
2013 What If
2019 Stuber
2020 Coffee & Kareem
2021 8-Bit Christmas
???? Blood Brothers
???? Trap House
Executive Producer:
1999 Bad Money
2002 Fubar
2002 Looking for Leonard
2004 It's All Gone Pete Tong
2009 You Might As Well Live
2010 Fubar II
2011 Take Me Home Tonight
2012 Goon
2013 What If
2019 Stuber
2020 Coffee & Kareem
2021 8-Bit Christmas
???? Blood Brothers
???? Trap House
Producer:
1999 Bad Money
2002 Fubar
2002 Looking for Leonard
2004 It's All Gone Pete Tong
2009 You Might As Well Live
2010 Fubar II
2011 Take Me Home Tonight
2012 Goon
2013 What If
2019 Stuber
2020 Coffee & Kareem
2021 8-Bit Christmas
???? Blood Brothers
???? Trap House
Writer:
1999 Bad Money
2002 Fubar
2002 Looking for Leonard
2004 It's All Gone Pete Tong
2009 You Might As Well Live
2010 Fubar II
2011 Take Me Home Tonight
2012 Goon
2013 What If
2014 The Grand Seduction
2019 Stuber
2020 Coffee & Kareem
2021 8-Bit Christmas
???? Blood Brothers
???? Trap House
Creator:
???? The Foundation
Director:
2015 Man Seeking Woman
2016 Preacher
2024 Me
2024 The Sticky
???? The Foundation
Executive Producer:
2015 Man Seeking Woman
2016 Preacher
2024 Me
2024 The Sticky
???? The Foundation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.