A work in constant progress (and occasional regress).
Alias:
Matchan
Sei Matsumoto
Birthplace:
Amagasaki, Hyōgo, Japan
Born:
September 8, 1963
Hitoshi Matsumoto (born September 8, 1963), or Matchan as he is commonly known, is a Japanese comedian best known as the boke half the popular owarai duo Downtown alongside Masatoshi Hamada. Born in Hyōgo Prefecture, he usually speaks in the Kansai dialect. He directed, produced, and starred in the 2007 movie Big Man Japan, which was shown at the 2007 Cannes Film Festival in the Directors' Fortnight section.
Director:
2001 Sasuke
2007 Big Man Japan
2009 Symbol
2011 Scabbard Samurai
2013 R100
Producer:
2001 Sasuke
2007 Big Man Japan
2009 Symbol
2010 Permanent Nobara
2011 Japanese Salaryman NEO
2011 Scabbard Samurai
2013 R100
2013 The Last Chance: Diary of Comedians
Screenplay:
2001 Sasuke
2007 Big Man Japan
2009 Symbol
2010 Permanent Nobara
2011 Japanese Salaryman NEO
2011 Scabbard Samurai
2013 R100
2013 The Last Chance: Diary of Comedians
Writer:
2001 Sasuke
2007 Big Man Japan
2009 Symbol
2010 Permanent Nobara
2011 Japanese Salaryman NEO
2011 Scabbard Samurai
2013 R100
2013 The Last Chance: Diary of Comedians
Creator:
1991 Downtown no Gottsu Ee Kanji
2016 HITOSHI MATSUMOTO Presents Documental
2018 HITOSHI MATSUMOTO Presents FREEZE
2020 LOL: Australia
2021 LOL - Last One Laughing Spain
Original Series Creator:
1991 Downtown no Gottsu Ee Kanji
2016 HITOSHI MATSUMOTO Presents Documental
2018 HITOSHI MATSUMOTO Presents FREEZE
2020 LOL: Australia
2021 LOL - Last One Laughing Spain
2023 LOL: Last One Laughing Poland
Other:
1991 Downtown no Gottsu Ee Kanji
2016 HITOSHI MATSUMOTO Presents Documental
2018 HITOSHI MATSUMOTO Presents FREEZE
2018 LOL: Last One Laughing
2020 LOL: Australia
2021 LOL - Last One Laughing Spain
2023 LOL: Last One Laughing Poland
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.