A work in constant progress (and occasional regress).
Alias:
岸西
Birthplace:
Hong Kong, China
Born:
August 15, 1958
Ivy Ho Sai-Hong (Chinese: 岸西) is a Hong Kong screenwriter and film director. Ho's work has received high critical acclaim in Hong Kong. Perry Lam of Muse magazine wrote, 'As a writer, Ho excels as a miniaturist. Whether they are the mainlanders trying to survive and prosper in Hong Kong in 甜蜜蜜 (Comrades: Almost a Love Story) or the middle-aged school teacher trying to do the right thing in 男人四十 (July Rhapsody), the characters she creates are keenly observed, psychologically acute portraits. Her tone is intimate and confessional. The many piquant details her stories contain give her characters and the movies in which they appear a solid foothold in reality.'
Director:
2008 Claustrophobia
2010 Crossing Hennessy
2014 Two for the Night
Producer:
2008 Claustrophobia
2010 Crossing Hennessy
2012 Cold War
2014 Rise of the Legend
2014 Two for the Night
2016 Cold War II
Screenplay:
1986 Silent Love
2000 And I Hate You So
2001 The Accidental Spy
2008 Claustrophobia
2010 Crossing Hennessy
2012 Cold War
2014 Rise of the Legend
2014 Two for the Night
2016 Cold War II
Story:
1986 Silent Love
2000 And I Hate You So
2001 The Accidental Spy
2006 2 Become 1
2008 Claustrophobia
2010 Crossing Hennessy
2012 Cold War
2014 Rise of the Legend
2014 Two for the Night
2016 Cold War II
Writer:
1976 Seven Women: Ivy Ho, Yeung Si-Dai, Lee Yan-Yi
1983 Crossroads-Pocket Money
1986 Silent Love
1996 Comrades, Almost a Love Story
1996 The Age of Miracles
1998 Anna Magdalena
2000 And I Hate You So
2001 The Accidental Spy
2002 July Rhapsody
2005 Divergence
2006 2 Become 1
2008 Claustrophobia
2008 Linger
2010 Crossing Hennessy
2012 Cold War
2014 Rise of the Legend
2014 Two for the Night
2016 Cold War II
Writer:
1981 無雙譜
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.