A work in constant progress (and occasional regress).
Co-Producer:
2002 Joshua
2003 Swimming Upstream
2004 Ray
2005 Sahara
2005 The Game of Their Lives
Executive Producer:
2002 Joshua
2003 Swimming Upstream
2004 Ray
2005 Sahara
2005 The Game of Their Lives
2007 Death Sentence
2013 Cold Comes the Night
2014 Match
2016 Band of Robbers
2017 Halfway There
2017 Saving Capitalism
2020 Standing Up, Falling Down
2020 The Boy Behind The Door
Producer:
2002 Joshua
2003 Swimming Upstream
2004 Ray
2005 Sahara
2005 The Game of Their Lives
2007 Death Sentence
2012 Fat Kid Rules The World
2013 Cold Comes the Night
2013 Drones
2014 Match
2016 Band of Robbers
2017 Halfway There
2017 Saving Capitalism
2020 Standing Up, Falling Down
2020 The Boy Behind The Door
Special Effects Supervisor:
2002 Joshua
2003 Swimming Upstream
2004 Ray
2005 Sahara
2005 The Game of Their Lives
2007 Death Sentence
2008 Red Mist
2012 Fat Kid Rules The World
2013 Cold Comes the Night
2013 Drones
2014 Match
2016 Band of Robbers
2017 Halfway There
2017 Saving Capitalism
2020 Standing Up, Falling Down
2020 The Boy Behind The Door
Writer:
2002 Joshua
2003 Swimming Upstream
2004 Ray
2005 Sahara
2005 The Game of Their Lives
2007 Death Sentence
2008 Red Mist
2012 Fat Kid Rules The World
2013 Cold Comes the Night
2013 Drones
2014 Match
2016 Band of Robbers
2017 Halfway There
2017 Saving Capitalism
2020 Standing Up, Falling Down
2020 The Boy Behind The Door
Creator:
2022 Cooper's Bar
Writer:
2022 Cooper's Bar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.