A work in constant progress (and occasional regress).
Alias:
Man Tat Ng
Man-Tat Ng
Ng Man Tat
Ngô Mạnh Đạt
Richard Ng
Wu Meng Da
Wu Meng-da
Wú Mèngdá
Birthplace:
中国,福建,厦门
Born:
January 2, 1952
Died:
February 27, 2021
Richard Ng Man-tat (2 January 1952 - 27 February 2021) was a veteran actor in the Hong Kong film industry, with dozens of titles under his belt. Ng worked with famous actor and director Stephen Chow in a series of "mo lei tau" movies ("mo lei tau" translates to "brainless"/"senseless or random," and it is a genre of slapstick comedy unique to Hong Kong). Ng co-starred with Stephen Chow in a Hong Kong TVB television series called Dun Fei Final Combat (1989), and also the popular 1990 film All for the Winner, where he played the role of Chow's uncle. From then on, the two would grow to star in many more "mo lei tau" films in the same style as All for the Winner. Although Ng Man-Tat owed much of his popularity from co-starring with Chow in "mo lei tau" films, he showed himself to be a versatile enough actor to successfully portray various different roles. A perfect example of his talent was in his portrayal of Sister 13's father in Portland Street Blues, where he played a man who could not feel anything but abuse and rejection. This role proved to be the perfect complement to his usual "mo lei tau" style with Stephen Chow. He also played Andy Lau's sidekick in the Lee Rock series in a more serious role. In Hong Kong, Ng Man-Tat was often known as "Uncle Tat", a nickname most likely influenced from his roles as Stephen Chow's sidekick (often as his uncle) in their films. Ng was sometimes credited as Richard Ng. Even though he was Stephen Chow's good friend, he stopped starring in his movies because he didn't want to be known as "Stephen Chow's Sidekick".
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.