A work in constant progress (and occasional regress).
Alias:
제로미 샐레
Birthplace:
Paris, France
Born:
May 11, 1967
Jérôme Salle (born 1971) is a French film director and screenwriter. Salle has directed the films Anthony Zimmer, the Belgian comic book adaptation Largo Winch and its sequel The Burma Conspiracy. His 2013 film Zulu was selected as the closing film at the 2013 Cannes Film Festival. The movie The Tourist, written and directed by Florian Henckel von Donnersmarck, was based on Salle's screenplay for Anthony Zimmer and grossed US$ 278 million worldwide.
Director:
2005 Anthony Zimmer
2008 The Heir Apparent: Largo Winch
2011 Largo Winch II
2013 Zulu
2016 The Odyssey
2022 Kompromat
Original Story:
2005 Anthony Zimmer
2008 The Heir Apparent: Largo Winch
2010 The Tourist
2011 Largo Winch II
2013 Zulu
2016 The Odyssey
2022 Kompromat
Producer:
2005 Anthony Zimmer
2008 The Heir Apparent: Largo Winch
2010 The Tourist
2011 Largo Winch II
2013 Zulu
2016 The Odyssey
2020 Small Country: An African Childhood
2022 Kompromat
Screenplay:
2005 Anthony Zimmer
2008 The Heir Apparent: Largo Winch
2010 The Tourist
2011 Largo Winch II
2013 Zulu
2016 The Odyssey
2020 Small Country: An African Childhood
2022 Kompromat
Writer:
1998 Bob le magnifique
2000 The Prince of the Pacific
2005 Anthony Zimmer
2008 The Heir Apparent: Largo Winch
2010 The Tourist
2011 Largo Winch II
2013 Zulu
2016 The Odyssey
2020 Small Country: An African Childhood
2022 Kompromat
Writers' Assistant:
1997 The Ideal Man
1998 Bob le magnifique
2000 The Prince of the Pacific
2005 Anthony Zimmer
2008 The Heir Apparent: Largo Winch
2010 The Tourist
2011 Largo Winch II
2013 Zulu
2016 The Odyssey
2020 Small Country: An African Childhood
2022 Kompromat
Director:
2024 Becoming Karl Lagerfeld
Executive Producer:
2024 Becoming Karl Lagerfeld
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.