A work in constant progress (and occasional regress).
Director:
1992 Koshmar - Give me a Strong Purpose
1994 Rätsel Zeit
Producer:
1992 Koshmar - Give me a Strong Purpose
1992 Running Wild
1993 The Bands
1994 Gehorsam und Verweigerung
1994 Kameni Grad - Stadt aus Stein
1994 Rätsel Zeit
1995 Emigration N.Y.
1995 Kollek
1995 The Way to Eden
1996 Achtung Staatsgrenze
1997 Am Stein
1997 R.I.P. Rest in Pieces: A Portrait of Joe Coleman
1997 Total Therapy
1999 Coincidence in Paradise
1999 Der Speckjäger
1999 Luna Papa
2000 Daydream Nation
2001 Lovely Rita
2002 Step on It
2008 Revanche
2014 The Silent Mountain
2020 Abbi fede
Production Manager:
1990 Postadresse: 2640 Schlöglmühl
1991 Der Tunnel
1992 Koshmar - Give me a Strong Purpose
1992 Running Wild
1992 Schuld und Gedächtnis
1993 The Bands
1994 Gehorsam und Verweigerung
1994 Kameni Grad - Stadt aus Stein
1994 Rätsel Zeit
1995 Emigration N.Y.
1995 Kollek
1995 The Way to Eden
1996 Achtung Staatsgrenze
1997 Am Stein
1997 R.I.P. Rest in Pieces: A Portrait of Joe Coleman
1997 Total Therapy
1999 Coincidence in Paradise
1999 Der Speckjäger
1999 Luna Papa
2000 Daydream Nation
2001 Lovely Rita
2002 Step on It
2008 Revanche
2014 The Silent Mountain
2020 Abbi fede
Writer:
1990 Postadresse: 2640 Schlöglmühl
1991 Der Tunnel
1992 Koshmar - Give me a Strong Purpose
1992 Running Wild
1992 Schuld und Gedächtnis
1993 The Bands
1994 Gehorsam und Verweigerung
1994 Kameni Grad - Stadt aus Stein
1994 Rätsel Zeit
1995 Emigration N.Y.
1995 Kollek
1995 The Way to Eden
1996 Achtung Staatsgrenze
1997 Am Stein
1997 R.I.P. Rest in Pieces: A Portrait of Joe Coleman
1997 Total Therapy
1999 Coincidence in Paradise
1999 Der Speckjäger
1999 Luna Papa
2000 Daydream Nation
2001 Lovely Rita
2002 Step on It
2008 Revanche
2014 The Silent Mountain
2020 Abbi fede
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.