A work in constant progress (and occasional regress).
Music:
2000 Seven Days to Live
2002 The Hunt for the Hidden Relic
2012 Die Aufnahmeprüfung
2013 After all these years
2014 Nichts für Feiglinge
2014 Tour de Force
2016 Jack the Ripper: The London Slasher
2019 The Perfect Secret
Music Editor:
2000 Seven Days to Live
2002 The Hunt for the Hidden Relic
2012 Die Aufnahmeprüfung
2013 After all these years
2014 Mit Burnout durch den Wald
2014 Nichts für Feiglinge
2014 Tour de Force
2016 Jack the Ripper: The London Slasher
2019 The Perfect Secret
Original Music Composer:
1999 Biikenbrennen - Der Fluch des Meeres
2000 Seven Days to Live
2001 Revenge of the Rats
2002 The Hunt for the Hidden Relic
2005 Blood of the Templars
2006 Hui Buh: The Castle Ghost
2009 Killing Is My Business, Honey
2012 Agent Ranjid Saves the World
2012 Die Aufnahmeprüfung
2013 After all these years
2014 Mit Burnout durch den Wald
2014 Nichts für Feiglinge
2014 Tour de Force
2016 Jack the Ripper: The London Slasher
2016 The Most Beautiful Day
2019 Alfons Zitterbacke
2019 Benjamin the Elephant
2019 The Perfect Secret
Original Music Composer:
2004 Blood of the Templars
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.