A work in constant progress (and occasional regress).
Pierre Even is a Canadian film producer from Quebec. He is a two-time winner of the award for Best Motion Picture from the Academy of Canadian Cinema and Television, as producer of the films War Witch and C.R.A.Z.Y.; he was also nominated, but did not win, for Café de Flore. His other production credits include The Colony, 5150 Elm's Way, Nitro, A Life Begins, Mars and April and Bon Cop, Bad Cop 2. Source: Article "Pierre Even (producer)" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Co-Producer:
2008 Modern Love
2013 Cyanide
2015 Brooklyn
2016 A Kid
2019 Skin
Executive Producer:
2008 Modern Love
2013 Cyanide
2015 Brooklyn
2016 A Kid
2018 Fareed
2019 Skin
2021 Bootlegger
Producer:
2005 C.R.A.Z.Y.
2007 Nitro
2008 Modern Love
2009 5150 Elm's Way
2011 Café de Flore
2012 War Witch
2013 Cyanide
2013 The Colony
2014 Meetings with a Young Poet
2014 Miraculum
2015 Brooklyn
2016 A Kid
2016 Boundaries
2017 Bon Cop Bad Cop 2
2018 Birthmarked
2018 Fareed
2019 Skin
2019 The Hummingbird Project
2021 Best Sellers
2021 Bootlegger
2021 Marco & Polo Go Round
2021 Maria Chapdelaine
2023 Days of Happiness
2023 Petit Jésus
2024 All Stirred Up!
2024 Balestra
???? Cut Print Thank You Bye
Production Director:
2005 C.R.A.Z.Y.
2007 Nitro
2008 Modern Love
2009 5150 Elm's Way
2011 Café de Flore
2012 War Witch
2013 Cyanide
2013 The Colony
2014 Meetings with a Young Poet
2014 Miraculum
2015 Brooklyn
2016 A Kid
2016 Boundaries
2017 Bon Cop Bad Cop 2
2017 We Are the Others
2018 Birthmarked
2018 Fareed
2019 Skin
2019 The Hummingbird Project
2021 Best Sellers
2021 Bootlegger
2021 Marco & Polo Go Round
2021 Maria Chapdelaine
2023 Days of Happiness
2023 Petit Jésus
2024 All Stirred Up!
2024 Balestra
???? Cut Print Thank You Bye
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.