A work in constant progress (and occasional regress).
Renowned Venezuelan musician and composer.
Compositor:
2022 Daniel Pennac: Ho visto Maradona!
Editor:
2007 To Play and to Fight
2017 Guaco: Semblanza
2020 Free Color
2022 Daniel Pennac: Ho visto Maradona!
Music:
2003 Bleeder
2007 To Play and to Fight
2008 1, 2 y 3 Mujeres
2008 El Infierno Perfecto
2010 Cuatro Litros por Tonel
2011 Samuel
2012 El laberinto de lo posible
2013 Tempo Adagio
2017 Guaco: Semblanza
2017 Jaar. Lament of the Images
2018 The Whistler: Origins
2019 The Silences
2020 Free Color
2020 Once Upon a Time in Venezuela
2022 Children of Las Brisas
2022 Daniel Pennac: Ho visto Maradona!
2023 A4 II: The Contact
2024 Hambre
Original Music Composer:
2003 Bleeder
2005 Maroa
2007 To Play and to Fight
2008 1, 2 y 3 Mujeres
2008 El Infierno Perfecto
2010 Cuatro Litros por Tonel
2011 Samuel
2012 El laberinto de lo posible
2013 Tempo Adagio
2015 Embrace of the Serpent
2017 Guaco: Semblanza
2017 Jaar. Lament of the Images
2018 The Whistler: Origins
2019 The Silences
2020 Free Color
2020 Once Upon a Time in Venezuela
2021 Luxor
2022 Children of Las Brisas
2022 Daniel Pennac: Ho visto Maradona!
2023 A4 II: The Contact
2023 Rotting in the Sun
2024 Hambre
Sound Director:
2003 Bleeder
2005 Maroa
2007 To Play and to Fight
2008 1, 2 y 3 Mujeres
2008 El Infierno Perfecto
2010 Cuatro Litros por Tonel
2011 Samuel
2012 El laberinto de lo posible
2013 Tempo Adagio
2015 Embrace of the Serpent
2017 Guaco: Semblanza
2017 Jaar. Lament of the Images
2018 The Whistler: Origins
2019 The Silences
2020 Free Color
2020 Once Upon a Time in Venezuela
2021 Luxor
2022 Children of Las Brisas
2022 Daniel Pennac: Ho visto Maradona!
2023 A4 II: The Contact
2023 Rotting in the Sun
2024 Hambre
Writer:
2003 Bleeder
2005 Maroa
2007 To Play and to Fight
2008 1, 2 y 3 Mujeres
2008 El Infierno Perfecto
2010 Cuatro Litros por Tonel
2011 Dudamel: El sonido de los ninos
2011 Samuel
2012 El laberinto de lo posible
2013 Tempo Adagio
2015 Embrace of the Serpent
2017 Guaco: Semblanza
2017 Jaar. Lament of the Images
2018 The Whistler: Origins
2019 The Silences
2020 Free Color
2020 Once Upon a Time in Venezuela
2021 Luxor
2022 Children of Las Brisas
2022 Daniel Pennac: Ho visto Maradona!
2023 A4 II: The Contact
2023 Rotting in the Sun
2024 Hambre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.