A work in constant progress (and occasional regress).
Sound:
2001 La Défaite du rouge-gorge
2002 Chamonix
2004 On dirait Nino Ferrer
2004 Quand nous étions punk
2012 Les Invisibles
2014 How we built the Moscow metro
2017 12 Days
2017 Ava
2018 Celebration
2020 Adolescents
2020 Little Girl
2021 Belleville, belle et rebelle
2022 The Five Devils
2023 The Mountain
2024 Cool Headed
2024 Le Chignon
2025 Lumière de mes yeux
Sound Designer:
2001 La Défaite du rouge-gorge
2002 Chamonix
2004 On dirait Nino Ferrer
2004 Quand nous étions punk
2007 Back to Normandy
2012 Les Invisibles
2014 How we built the Moscow metro
2017 12 Days
2017 Ava
2018 Celebration
2020 Adolescents
2020 Little Girl
2021 Belleville, belle et rebelle
2022 The Five Devils
2023 The Mountain
2024 Cool Headed
2024 Le Chignon
2025 Lumière de mes yeux
Sound Director:
2001 La Défaite du rouge-gorge
2002 Chamonix
2004 On dirait Nino Ferrer
2004 Quand nous étions punk
2007 Back to Normandy
2008 Capri
2012 Les Invisibles
2014 How we built the Moscow metro
2017 12 Days
2017 Ava
2018 Celebration
2020 Adolescents
2020 Little Girl
2021 Belleville, belle et rebelle
2022 The Five Devils
2023 The Mountain
2024 Cool Headed
2024 Le Chignon
2025 Lumière de mes yeux
Sound Editor:
2001 La Défaite du rouge-gorge
2002 Chamonix
2004 On dirait Nino Ferrer
2004 Quand nous étions punk
2007 Back to Normandy
2008 Capri
2012 Les Invisibles
2014 How we built the Moscow metro
2017 12 Days
2017 Ava
2018 Celebration
2020 Adolescents
2020 Little Girl
2021 Belleville, belle et rebelle
2022 Feminist Riposte
2022 The Five Devils
2023 The Mountain
2024 Cool Headed
2024 Le Chignon
2025 Lumière de mes yeux
Sound Engineer:
2001 La Défaite du rouge-gorge
2002 Chamonix
2004 On dirait Nino Ferrer
2004 Quand nous étions punk
2007 Back to Normandy
2008 Capri
2012 Les Invisibles
2014 How we built the Moscow metro
2017 12 Days
2017 Ava
2018 Celebration
2020 Adolescents
2020 Little Girl
2021 Belleville, belle et rebelle
2021 H24 - 08:00: 10cm Above Ground
2022 Feminist Riposte
2022 The Five Devils
2023 The Mountain
2024 Cool Headed
2024 Le Chignon
2025 Lumière de mes yeux
Sound Mixer:
2001 La Défaite du rouge-gorge
2002 Chamonix
2004 On dirait Nino Ferrer
2004 Quand nous étions punk
2007 Back to Normandy
2008 Capri
2012 Les Invisibles
2014 How we built the Moscow metro
2017 12 Days
2017 Ava
2018 Celebration
2020 Adolescents
2020 Little Girl
2021 Belleville, belle et rebelle
2021 H24 - 08:00: 10cm Above Ground
2022 Feminist Riposte
2022 The Five Devils
2023 The Mountain
2024 Cool Headed
2024 Le Chignon
2025 Lumière de mes yeux
2025 Magma
Sound Recordist:
2001 La Défaite du rouge-gorge
2002 Chamonix
2003 The Days When I Don’t Exist
2004 On dirait Nino Ferrer
2004 Quand nous étions punk
2007 Back to Normandy
2008 Capri
2012 Les Invisibles
2014 How we built the Moscow metro
2017 12 Days
2017 Ava
2018 Celebration
2018 The Strange Life of Dr. Frankenstein
2020 Adolescents
2020 Back Home
2020 Little Girl
2021 Belleville, belle et rebelle
2021 H24 - 08:00: 10cm Above Ground
2022 Feminist Riposte
2022 The Five Devils
2023 The Mountain
2024 Cool Headed
2024 Le Chignon
2025 Lumière de mes yeux
2025 Magma
???? Nino by Night
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.