A work in constant progress (and occasional regress).
Alias:
Ashley Edward Miller
애슐리 밀러
Birthplace:
Windber, Pennsylvania, USA
Born:
March 16, 1971
Ashley Edward Miller (born March 16, 1971) is an American screenwriter and producer best known for his work on the television series Andromeda, Terminator: The Sarah Connor Chronicles, and Fringe. He also worked on the films Thor and X-Men: First Class. Born in Windber, Pennsylvania, Miller's family relocated, and he grew up in Gainesville, Virginia. He was a member of the first graduating class at Thomas Jefferson High School for Science and Technology. His first job out of college was as a middle school English teacher. He then went on to work for the United States Navy as an independent defence contractor. Miller eventually moved to California, starting his career as a writer on the television series Andromeda after meeting one of the series' producers. He is married and has one son. Miller was first hired to work on Andromeda in 2000 as a writer. In 2001, he was given the additional duties of being a consultant on the series, working both positions until the series' cancellation in 2005. It was while working on the show that he first met former journalist and future writing partner Zack Stentz. Together with two other writers, Stentz and Miller co-wrote the screenplay for the 2003 film Agent Cody Banks. The duo continued their writing partnership, working on The Twilight Zone revival. Upon the end of the television series Andromeda, they were put to work on the Fox Television series Terminator: The Sarah Connor Chronicles, co-writing six episodes and co-producing twenty-two episodes together over the series run. When Terminator: The Sarah Connor Chronicles was not renewed for a third season, Miller and Stentz moved onto another Fox project, Fringe. Over the two seasons that Miller and Stentz worked on the series, they co-produced twenty-two episodes along with co-writing a total of four episodes. In 2006, Disney purchased an original spec script written by Miller & Stentz entitled The Feynman Chronicles. Miller has stated the film was basically a "bar bet" between himself and Stentz. In December 2009, Miller and Stentz were hired to write the screenplay adaptation for the Dark Horse Comics horror comic book miniseries Damn Nation. During an interview with I09, Miller stated, "We're still in the middle of working on Damn Nation. We turned our first draft into Dark Horse and Paramount Pictures, and everyone seems to love it. We were very pleased with how it came out." After leaving Fringe in 2010, Miller and Stentz were hired to write the screenplay for the summer tentpole live-action version of Thor. Following their work on Thor, Miller and Stentz attended a meeting with Fox executives, who offered them the chance to work with producer Bryan Singer and director Matthew Vaughn by penning a draft of the screenplay for the film X-Men: First Class. After finishing the script and beginning production, both Miller and Stentz expressed their happiness with the tone of the film, complimenting the vision and scenes that Singer had conceived in an interview. On November 8, 2012, Miller and Stentz released their first novel, Colin Fischer, a young adult story about a student with Asperger's Syndrome entering high school. Description above from the Wikipedia article Ashley Miller (screenwriter), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Screenplay:
2003 Agent Cody Banks
2011 Thor
2011 X-Men: First Class
Creator:
2021 DOTA: Dragon's Blood
Executive Producer:
2021 DOTA: Dragon's Blood
Story:
2000 Andromeda
2021 DOTA: Dragon's Blood
Teleplay:
2000 Andromeda
2021 DOTA: Dragon's Blood
Writer:
2000 Andromeda
2008 Fringe
2008 Terminator: The Sarah Connor Chronicles
2021 DOTA: Dragon's Blood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.