A work in constant progress (and occasional regress).
Birthplace:
New York, New York, USA
Born:
June 23, 1903
Died:
June 27, 1965
From Wikipedia, the free encyclopedia Anthony Veiller (23 June 1903 – 27 June 1965) was an American screenwriter and film producer. The son of the screenwriter Bayard Veiller and the English actress Margaret Wycherly, Anthony Veiller wrote for 41 films between 1934 and 1964. He was born on 23 June 1903 in New York City to Bayard Veiller and Margaret Wycherly. He moved to Hollywood in 1930. Veiller was twice nominated for an Academy Award for Best Screenplay. In 1937, he co-wrote (with Morrie Ryskind) the screenplay for Stage Door, starring Katharine Hepburn, Ginger Rogers and Adolphe Menjou. This very loose adaptation of the play by George S. Kaufman and Edna Ferber was also nominated for the Academy Award for Best Picture. Veiller was also Oscar-nominated for writing (with uncredited help from John Huston and Richard Brooks) The Killers (1946), an adaptation of the short story by Ernest Hemingway. This seminal example of film noir, which introduced Burt Lancaster to filmgoers, won an Edgar Award as best mystery film of 1946, and in 2008 was enshrined in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Veiller frequently worked with top directors. During the Second World War he worked with Frank Capra on several films in the documentary/propaganda film series collectively titled Why We Fight. In 1946 (the same year as The Killers), Veiller co-wrote The Stranger, directed by and starring Orson Welles. For State of the Union (1948), again directed by Capra, Veiller was credited as co-producer as well as co-writer. Veiller worked with director John Huston on several films: Moulin Rouge (1952), Beat the Devil (1953), The List of Adrian Messenger (1963), and The Night of the Iguana (1964), the film of the Tennessee Williams play that became Veiller's final screen credit. Veiller died on 27 June 1965 of cancer, in Hollywood, California. He was buried in the St Mary Churchyard, Bepton, Chichester, West Sussex, England as was his mother.
Director:
1943 Why We Fight: The Battle of Britain
Producer:
1934 The Witching Hour
1940 Moon Over Burma
1940 Safari
1940 Typhoon
1940 Victory
1941 New York Town
1943 Why We Fight: The Battle of Britain
1949 Colorado Territory
1950 Backfire
1950 Chain Lightning
1950 Dallas
1951 Along the Great Divide
1951 Force of Arms
1951 Fort Worth
1952 Red Planet Mars
Screenplay:
1934 The Witching Hour
1935 Break of Hearts
1935 Jalna
1935 Star of Midnight
1936 A Woman Rebels
1936 The Ex-Mrs. Bradford
1936 The Lady Consents
1936 Winterset
1937 Stage Door
1937 The Soldier and the Lady
1938 Radio City Revels
1939 Disputed Passage
1939 Let Us Live
1940 Moon Over Burma
1940 Safari
1940 Typhoon
1940 Victory
1941 New York Town
1942 Her Cardboard Lover
1943 Assignment in Brittany
1943 Why We Fight: The Battle of Britain
1946 The Killers
1946 The Stranger
1948 State of the Union
1949 Colorado Territory
1950 Backfire
1950 Chain Lightning
1950 Dallas
1951 Along the Great Divide
1951 Force of Arms
1951 Fort Worth
1952 Moulin Rouge
1952 Red Planet Mars
1955 That Lady
1956 Safari
1957 Monkey on My Back
1959 Solomon and Sheba
1959 Timbuktu
1963 The List of Adrian Messenger
1964 The Night of the Iguana
Story:
1934 The Notorious Sophie Lang
1934 The Witching Hour
1935 Break of Hearts
1935 Jalna
1935 Star of Midnight
1936 A Woman Rebels
1936 The Ex-Mrs. Bradford
1936 The Lady Consents
1936 Winterset
1937 Stage Door
1937 The Soldier and the Lady
1938 Radio City Revels
1939 Disputed Passage
1939 Let Us Live
1940 Moon Over Burma
1940 Safari
1940 Typhoon
1940 Victory
1941 New York Town
1942 Her Cardboard Lover
1943 Assignment in Brittany
1943 Why We Fight: The Battle of Britain
1946 The Killers
1946 The Stranger
1948 State of the Union
1949 Colorado Territory
1950 Backfire
1950 Chain Lightning
1950 Dallas
1951 Along the Great Divide
1951 Force of Arms
1951 Fort Worth
1952 Moulin Rouge
1952 Red Planet Mars
1955 That Lady
1956 Safari
1957 Monkey on My Back
1959 Solomon and Sheba
1959 Timbuktu
1963 The List of Adrian Messenger
1964 The Night of the Iguana
Treatment:
1934 The Notorious Sophie Lang
1934 The Witching Hour
1935 Break of Hearts
1935 Jalna
1935 Star of Midnight
1936 A Woman Rebels
1936 The Ex-Mrs. Bradford
1936 The Lady Consents
1936 Winterset
1937 Stage Door
1937 The Soldier and the Lady
1938 Radio City Revels
1938 The Saint in New York
1939 Disputed Passage
1939 Let Us Live
1940 Moon Over Burma
1940 Safari
1940 Typhoon
1940 Victory
1941 New York Town
1942 Her Cardboard Lover
1943 Assignment in Brittany
1943 Why We Fight: The Battle of Britain
1946 The Killers
1946 The Stranger
1948 State of the Union
1949 Colorado Territory
1950 Backfire
1950 Chain Lightning
1950 Dallas
1951 Along the Great Divide
1951 Force of Arms
1951 Fort Worth
1952 Moulin Rouge
1952 Red Planet Mars
1955 That Lady
1956 Safari
1957 Monkey on My Back
1959 Solomon and Sheba
1959 Timbuktu
1963 The List of Adrian Messenger
1964 The Night of the Iguana
Writer:
1934 Menace
1934 The Notorious Sophie Lang
1934 The Witching Hour
1935 Break of Hearts
1935 Jalna
1935 Seven Keys to Baldpate
1935 Star of Midnight
1936 A Woman Rebels
1936 The Ex-Mrs. Bradford
1936 The Lady Consents
1936 Winterset
1937 Stage Door
1937 The Soldier and the Lady
1938 Radio City Revels
1938 The Saint in New York
1939 Disputed Passage
1939 Let Us Live
1940 Moon Over Burma
1940 Safari
1940 Typhoon
1940 Victory
1941 New York Town
1942 Her Cardboard Lover
1943 Assignment in Brittany
1943 Why We Fight: The Battle of Britain
1945 Your Job in Germany
1946 The Killers
1946 The Stranger
1948 State of the Union
1949 Colorado Territory
1950 Backfire
1950 Chain Lightning
1950 Dallas
1951 Along the Great Divide
1951 Force of Arms
1951 Fort Worth
1952 Moulin Rouge
1952 Red Planet Mars
1955 That Lady
1956 Safari
1957 Monkey on My Back
1959 Solomon and Sheba
1959 Timbuktu
1963 The List of Adrian Messenger
1964 The Night of the Iguana
2000 Why We Fight: World War II: The Battle of China / War Comes to America
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.