A work in constant progress (and occasional regress).
Alias:
Frank Darro
Frank Darrow
Frank Johnson
Frank Johnson, Jr.
Frankie Darrow
Birthplace:
Chicago, Illinois, USA
Born:
December 22, 1917
Died:
December 25, 1976
Frankie Darro (December 22, 1917 – December 25, 1976) was an American actor. Born into a show-business family - his parents were circus aerialists - Darro appeared in his first film at age six. Due to his small size and youthful appearance, he played teenagers well into his 20s. Always a physical performer, Darro often did his own stunts, many times out of necessity - his small stature made it difficult to find stunt doubles his size. He was an accomplished horseman and, in addition to westerns, made several films where he played jockeys. In 1933 he played the lead as a troubled teen in a major film for Warner Brothers, "Wild Boys Of The Road." It is a pre-code film with a realistic look at "The Great Depression," from the point of view of the youth of the time. This film seems to have been rediscovered only recently and has received critical acclaim.That same year, he played a troubled youth in the James Cagney classic, "The Mayor Of Hell". Later in 1935, he had a key role in the cult serial classic "The Phantom Empire"(1935). As Darro got older, however, he found it increasingly difficult to secure employment, and by the late 1940s was doing uncredited stunt work and bit parts. He had a recurring role on The Red Skelton Hour (1951), unrecognized by his fans, he played "Robby The Robot" in the groundbreaking sci-fi film "The Forbidden Planet" (1956), though Marvin Miller, best remembered as Michael Anthony of TVs "Millionaire"(1955-60), was the robot's voice. After that Frankie appeared sporadically in films and on TV .
Stunts:
1962 The Notorious Landlady
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.