A work in constant progress (and occasional regress).
Sjur Aarthun is a prominent Norwegian cinematographer and editor known for his versatile work in both film and television. He co-founded the production company Handmade Films in Norwegian Woods in 2013, where he focuses on creating films rooted in Norwegian folklore and nature. His work includes notable projects such as The Tunnel (2019), Villmark 2(2015), and Villmark (2003). He has also contributed to popular TV series like Pørni and Home Ground.
Cinematography:
2014 Kampen om Hardanger
2017 Voyager
???? The Well
Director of Photography:
1999 Stop
2002 Falling Sky
2003 Dark Woods
2007 Svein and the Rat and the UFO-Mystery
2008 SOS: Summer of Suspense
2009 Hidden
2014 Kampen om Hardanger
2014 UpsideDown
2015 Dark Woods II
2015 The Vanishing Act of Einar
2017 Voyager
2019 Catching the Flame
2019 The Tunnel
2022 Leave
2025 Kraken
???? The Well
Editor:
1999 Stop
2002 Falling Sky
2003 Dark Woods
2006 Trigger
2007 Svein and the Rat and the UFO-Mystery
2008 Familien Bergs erfaringer
2008 SOS: Summer of Suspense
2009 Hidden
2013 Lars Hertervig: The frenzy of light
2014 Kampen om Hardanger
2014 UpsideDown
2015 Dark Woods II
2015 The Vanishing Act of Einar
2017 Voyager
2019 Catching the Flame
2019 The Tunnel
2022 Leave
2022 NightMare
2023 Dark Windows
2025 Kraken
???? The Well
Storyboard:
1999 Stop
2002 Falling Sky
2003 Dark Woods
2006 Trigger
2007 Svein and the Rat and the UFO-Mystery
2008 Familien Bergs erfaringer
2008 SOS: Summer of Suspense
2009 Hidden
2013 Lars Hertervig: The frenzy of light
2014 Kampen om Hardanger
2014 UpsideDown
2015 Dark Woods II
2015 The Vanishing Act of Einar
2017 Voyager
2019 Catching the Flame
2019 The Tunnel
2022 Leave
2022 NightMare
2023 Dark Windows
2025 Kraken
???? The Well
Cinematography:
2005 Ran
2006 Boys Will Be Boys
Director of Photography:
2005 Ran
2006 Boys Will Be Boys
2021 Pernille
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.